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(NOTE: I will be adding more contentto this post in the very new future! I am reworking some of my blog– I apologize for the inconvenience. THANK YOU FOR VISITING!)
5/27/17- We docked at Quai des Marans in Macon, France for the last full day of our cruise on the Rhone River. After breakfast, many people took excursions out of the city, to enjoy some of the local vineyards. A small group of us chose to stay in Macon, and after a brief introduction to the layout of the city by our concierge, we set out on a truly beautiful walk through this magical city.
Autograph Signing On Board.
Rebecca Luker In Concert.
Rebecca Luker’s Broadway roles include Helen in FUN HOME. CINDERELLA’S Fairy Godmother, Marie. Winifred in the original Broadway production of MARY POPPINS (Tony Award nomination), Claudia Nardi in NINE opposite Antonio Banderas, Marian Paroo in THE MUSIC MAN (Tony Award nomination, Drama Desk Award nomination & Outer Critics Circle Award nomination), Maria in THE SOUND OF MUSIC (Outer Critics Circle Award nomination); Magnolia in SHOWBOAT (Tony Award nomination), Lily in THE SECRET GARDEN (Drama Desk Nomination); Christine in THE PHANTOM OF THE OPERA. With the New York City Opera Ms. Luker was featured in X (THE LIFE AND TIMES OF MALCOLM X) and was Fiona in BRIGADOON. Off-Broadway she starred in Maury Yeston’s DEATH TAKES A HOLIDAY – Outer Critics Circle nomination (Roundabout, 2011), the world premiere of A.R.Gurney’s INDIAN BLOOD (Primary Stages), CAN’T LET GO (Keen Company) and THE VAGINA MONOLOGUES. – http://www.rebeccaluker.com/
Travel Date: May 27, 2017, Saturday (Day 15)
Playbill Travel’s “Broadway On the Rhone”
Traveling to new places can certainly be a mixed bag of experiences. I learned a long time ago not to let expectations get in the way of the experience itself. Even if you’ve spent a lot of time researching a destination in advance, there are always surprises along the way. Something might be closed. There may be a new exhibit or a festival that suddenly draws your attention. It could be overcrowded or timing may play an important role. Weather may also be an important factor. Whatever the situation when you arrive, flexibility is the key.
During our stop in Avignon, we had six optional excursions to choose from. Four were included- a walking tour of Avignon, a walking/tram tour (for gentle walkers), the Pont du Gard Aqueduct, or kayaking on the Gardon river. Two offerings, for an additional charge, included: A cooking class with a master chef at the Hotel la Mirande, or Chateauneuf-du-Pape wine tasting.
I was interested in seeing the Aqueduct but that meant sacrificing a visit to Avignon and the Palace of the Popes. So it was hard to choose. Michael and I ended up deciding we wanted the adventure of exploring Avignon on our own. I thought to ask our Cruise Manager Tania, if there was an admission ticket to the Palace of the Popes, which there was. She had a few tickets on hand, for those not taking the tour that wanted to explore on their own. Good thing I asked!
One other thing– in each city we docked, Uniworld had maps available to take with us, whether we went with a guided group or not. Taking one today was especially beneficial.
We crossed the main road that runs along the Rhone river and entered the fortified walls of Avignon.
Avignon dates back to at least the 6th century BC under Greek domination. Naples and France each had their own piece of early history here. By the 1300’s, it became the residence of the Popes– seven in all would make Avignon their home before the Papacy returned to Rome as the permanent residence. In addition, multiple plagues had a big impact on the city over the centuries. While the current city population is about 90,000, only about 12,000 live with the ancient city center that is surrounded by looming medieval ramparts.
We walked through narrow streets, into the city, finding ourselves in the Place de l’Horloge. Not only is it considered the city center, it is one of the most perfect squares (I’ve seen so far) in Europe. It was still early in the day when we arrived. The hour was reflected by the activities of the merchants and restaurateurs busily preparing to open up shop. What made it so perfect was the blend of colorful shops, historic buildings and an old world atmosphere that hadn’t been completely modernized or commercialized. It still had so much charm.
Just a few blocks away was the Square Below the Palace of the Popes (Place du Palais). Not quite as charming as Place de l’Horloge but still historically beautiful and well preserved. There we found an artist was setting up to sell his work. Across the square, an accordionist played his squeezebox; busking at the steps of the Palace.
Palace of the Popes. The Palais des Papes is one of the 10 most visited monuments in France. It is the largest Gothic palace in Europe. Built in the 14th century, it was first home to Popes, then Legates, and finally Vice-Legates up until the French Revolution. Six papal conclaves were held here.
The majority of the palace was constructed in less than 20 years.
Over 20 rooms can be explored during your visit. Most of the ornate embellishments that were the finishing touches of later Popes, are now gone. One of the most interesting areas of the palace are the Popes’ private chambers– with original frescoes painted by the Italian artist Matteo Giovannetti. (No photography allowed.)
The palace was first opened to the public in the early 1900s. Today, exhibitions and performances are held here year-round. It is interesting that the palace has not been turned into a museum house in the way that many historic places have been. Here, the focus is on the magnificence of the building and architecture itself.
From the Palace, we wandered through the streets of Avignon, passing many shops and small theatres on our way to the Rocher des Doms Garden overlook. We strayed from the main path, discovering some unique passages and paused a moment to watch a sculptor at work.
After winding our way around, climbing many steps, we found ourselves at the top of the Rocher des Doms Garden Overlook. The gardens and panoramic views were nothing short of spectacular. It was just incredible up there. I couldn’t help but wonder if our cruise mates were going to miss out on all this beauty, or be rushed through, to stay on schedule. We had all the time in the world.
I think we found the best view of the famous bridge- Pont d’Avignon or Pont Saint-Bénézet. Originally completed in 1185, it crossed the Rhone, only to be destroyed 40 years later by Louis VIII when taking over Avignon. It was rebuilt with 22 arches but river flooding repeatedly damaged the bridge. The surviving sections of the bridge are believed to have been constructed around 1345, with the Chapel of Saint Nicholas at the middle of the four remaining arches. The bridge is considered an important representation of the city, as well as the inspiration for the song, Sur le pont d’Avignon.
We took a break, grabbing a drink from a small cafe on the hill, and continued to enjoy our beautiful surroundings. We had perfect weather. It was hard to leave this place but we needed to start making our way back down the hill.
We reached the bottom of the hill, once again passing the palace and finding ourselves back at Place de l’Horloge. It was a little busier now, the carousel was in motion and tourists were beginning to fill the streets and shops.
We’d only covered about a third of Avignon but felt like the experience had been totally fulfilling. It was still early afternoon and we could have spent more time but I was anxious to get back to the ship.
Lighting Paulo. I ended up volunteering (getting volunteered) to try and help improve the lighting for tonight’s concert. After the daily briefing in the Van Gogh lounge, while everyone else headed to the Cezanne Dining Room for dinner, I stayed and helped the staff transform the lounge into a makeshift theater.
On all the previous Playbill cruises the ships had actual theaters (or performance spaces) with a stage. Being a much small ship, specifically designed for river travel, the S.S. Catherine had only the large Van Gogh Lounge (with no stage) that could accommodate all the guests at one time.
I’m not sure I was able to improve the lighting that much– but at least music director, John McDaniel would be lit. (The night before, he was totally in the dark.) The ship staff seemed grateful for the assistance and asked if I’d hang around for sound check.
A Private Moment. There really wasn’t time to go join our group in the dining room– so I went to our regular spot, which coincidentally was just off the lounge– on the front-lower deck of the ship. I got out there just in time to watch as our ship passed through one of the river locks– the first one I got to observe from start to finish. It’s fascinating how it works, moving from different water levels– and the fact that these locks help prevent most of the flooding that could occur along the river is pretty incredible.
After the lock, we were back in open water. Mostly natural, undeveloped land drifted by– with the occasional building or the remains of some ancient building coming and going from view. The sun was still quite hot as it was slowly starting it’s late afternoon descent from the sky. It was peaceful, quiet, and really a beautiful moment. How lucky I was to be experiencing it!
Paulo Szot In Concert. What a voice! Strong, rich, resonant– a joy to listen to. Paulo treated us to a wide variety of songs that included selections from his Tony Award-winning performance in South Pacific to Sondheim. I think the audience favorite had to be his rendition of Stars from Les Miserables; performed in many different languages and ending in English.
Paulo Szot is one of the most acclaimed and versatile baritones in the world, having garnered international acclaim as both an opera singer and actor. Born in Sao Paulo to Polish immigrants, Szot has appeared in leading roles with many major opera companies throughout the world including the Metropolitan Opera, Paris Opera, La Scala, Dutch National Opera, San Francisco Opera, Rome Opera and Opera Australia. In 2008, he won the Tony Award for Best Actor in a Musical for his portrayal of Emile De Becque in the Broadway revival of South Pacific at Lincoln Center Theater, for which he also won the Drama Desk, Outer Critic’s Circle and Theater World Awards. Szot was the first Brazilian actor to receive such honors. In the recent 2016-2017 season, Szot appeared as Don Alfonso in a new production of Cosi fan tutte at Opera National de Paris and presneted a solo recital at Teatro Royal de Madrid as a salute to Frank Sinatra’s recordings of Antonio Jobim’s bossa novas. He also originated the roles of Alexander Hamilton, Bill Clinton and Dick Cheney in the world premiere of Mohammed Fairouz’s The New Prince at the Dutch National Opera. — Playbill
Going Through the Locks. After the concert, the gang gathered on the deck and we were treated to quite a show. We went through probably the most unique of the locks on our trip– passing under, and then watching the massive gate drop behind us closing our ship in the lock, creating what felt like a medieval dungeon. It was dark and eerie, the ship’s floodlights reflecting off the dark, glistening walls as the water level changed before releasing us back out into the river.
It had been quite a day! I always tell people that doing the Playbill cruises is like getting two vacations in one. You enjoy traveling to, and exploring, fascinating destinations– and then you have the wonderful Broadway concert experience on board. Today was the perfect example of the best of both worlds.
Travel Date: May 23, 2017, Tuesday (Day 11)