Home » theatre (Page 6)
Category Archives: theatre
NYC May 2014- Days Four & Five: Rocking the Political Cradle On Stage
Monday we met with our friends Steve & Amy (from home) who happened to be in NYC this week as well. We had a great time socializing and made our first visit this trip to The High Line with them. The High Line, which runs above Gansevoort Street to 34th Street on Manhattan’s West Side, is a public park built on what was once a historic freight rail line. It was a beautiful sunny day and only took us about an hour to walk the whole park. We’ll be returning with other friends from home later this week and hopefully I’ll get some good pictures to share.
Short on time, the four of us headed back to Times Square and Havana Central (our second time this trip) for lunch before parting ways.
The Cradle Will Rock We actually had tickets for another show that we ended up giving to friends. When we found out that this special, one night only, benefit concert was happening, we couldn’t miss it.
I’m a huge fan of Patti LuPone. Given the opportunity, there was no way I was going to miss the chance to see her recreate her Oliver Award-winning performance in this historic, ground-breaking theatrical work.
The staging was a benefit for The Acting Company, which originally produced the show under the direction of John Houseman. This concert staging directed by Lonny Price, featured LuPone and a number of other original company members, as well as more recent alumni.
This is a work I hope to produce one day. Its political and social message are still relevant today and I have a specific vision for staging the piece.
Tuesday, Michael and I both did a lot of exploring on our own. I’m not sure how much ground Michael covered but I’d traveled over five miles (tracked on my Fitbit) before noon. We initial thought we’d find a new destination to visit and then decided to just explore instead. The great things about a big city is there’s always something new to see, it’s always evolving and there are always things you hadn’t noticed before.
Friends arrived in the afternoon and while I was off exploring 6th Avenue and Bryant Park, Michael accompanied them to the TKS booth to get their show tickets and then to stand in line for the lottery for Kinky Boots tickets (which they won). We had dinner at Yum Yum Bangkok before splitting up to go to our shows.
All The Way “All the way with LBJ!” Bryan Cranston IS LBJ. You won’t see any evidence of Walter White (Breaking Bad) on this stage. From his first breath in a solo spotlight, Cranston gives an incredibly layered performance as President Lyndon B. Johnson, proving his versatility and skill as as actor and showing that a true performer can successfully thrive on stage and screen equally.
Written by Robert Schenkkan and directed by Bill Rauch, All The Way follows LBJ’s journey from the Kennedy assassination through Johnson’s reelection as President. It carefully weaves the personal, public and political struggles LBJ had to juggle while blazing the trail in his fight for civil rights.
The story was skillfully told by an ensemble of veteran actors, supporting Cranston. Some of the other stand out performances were given by Brandon J. Dirden as Martin Luther King, Jr.; Betsy Aidem as Lady Bird Johnson/Katharine Graham/Katharine St. George; Michael McKean as J. Edgar Hoover/Robert Byrd; and Robert Petkoff as Hubert Humphrey.
All The Way is Tony-nominated for Best Play and Best Actor (Cranston), and has already won the Outer Critics Circle, New York Drama Critics’ Circle and the Drama League awards for Best Play.
On the way back to our apartment, we stopped and picked up Concretes at the Shake Shack. (8th Ave. & 44th St.) With multiple locations, this is THE spot for ice cream treats in New York City. The lines are almost always out the door but they move fast and you always get great service.
NYC May 2014- Day Three: Bridges & Body Switching
We had lunch at one of our favorite spots, Havana Central, Times Square (151 West 46th Street) and as usual, the food was excellent. We both had the original Cuban Sandwiches with black beans and yellow rice. As a kid, we used to go to the Silver Ring for Cuban sandwiches in Ybor City, Florida. Lots of places offer Cubans but most aren’t authentic. Cuban bread is crusty and has a specific taste. Most places don’t use Cuban bread. Havana Central is the only place (other than Silver Ring) I’ve found that makes a good Cuban sandwich. We’ve tried many things on the menu and all has been quite good. The service is also fast and courteous.
The Bridges of Madison County How do you critique one of the most gorgeous shows Broadway has seen in years? First, I should probably say that I have not read the book nor seen the movie, so I wasn’t bound to any comparisons.
Bridges is the perfect marriage of story and song, beautifully told through wonderful staging and exquisite vocals. The entire cast is brilliant. I do have to single out Kelli O’Hara (Francesca) and Steven Pasquale (Robert), supported through outstanding performances by Hunter Foster (Bud) and Cass Morgan (Marge).
In my opinion, this is O’Hara’s best performance to date. Her character is beautifully layered and she sings Francesca with such a committed, passionate skill. Passquale’s vocals moved me like no other male vocalist has done in many, many years. His voice literally lifts the score and raises it through the roof.
Marsha Norman has expertly adapted the book to weave and intertwine with Jason Robert Brown’s lush score producing a work that grabbed my soul from the very beginning and didn’t release it even after the final bow. Brown’s orchestrations are so full and magical I can’t find the words to describe their beauty. Show show completely envelops you.
Most shows, or their respective productions, have not had the ability to reach me the way this did. It is the most passionate, romantic production Broadway has seen since probably The Light in the Piazza or Stephen Sondheim’s darker, Passion. I was so moved, I had tears in my eyes for nearly the entire performance, from the very first notes.
We saw the closing performance, adding to the electricity in the theater. It is a very sad statement that a show this incredible could not find a Broadway audience. Worse still, is that it was snubbed by the Tony committee in the Best Musical and Best Actor categories— which, at the very least, is a travesty.
Under My Skin I’d hoped we were in for a good old-fashioned comedy after the emotional matinee.
I chuckled.
I don’t have a whole lot to say about this, other than it is a rather amateurish male-female, body-switching comedy that is entertaining but completely predictable.
Written by the married writing team, Robert Sternin and Prudence Fraser of Who’s the Boss? and The Nanny fame. Their sitcom influences are readily apparent here. The only thing missing were the commercials and a badly needed laugh track.
This was not what I expected from a professionally produced (Off Broadway) production but can see the show having an active life in the community theatre circuit in years to come.
NYC May 2014- Day Two: Bunnies, Boxing and Crowded Streets
I tried to sleep in but after waking a up a few times, I found myself heading to Starbucks at 5 AM– after I realized I forgot to get ground coffee for our room. Times Square is always so peaceful early in the morning. I love experiencing the drastic changes in the energy as the day progresses. Even though I try to walk the perimeter of the area going to and from shows to avoid the crowds, it’s still a fun vibe to be in the heart of — just in small doses.
We relaxed most of the morning, staying near our apartment, knowing it was going to be a long day. We left around noon, took a walk and did some exploring before our matinee. It was a beautiful day in the upper 60’s and sunny.
Of Mice and Men I don’t get too many opportunities to see professionally produced classic dramas. Choosing OM&M was more about the show itself than seeing James Franco. Sometimes star power works for a production but actors still need to prove they belong there.
The first act was pretty solid, only to fall apart in the second act. I don’t understand why anyone would think it was a good idea to sanitize the most dramatic moments of the show, leaving them void of emotion. How can characters completely disassociate themselves from feelings where death is concerned? That is exactly what happens in this production.
Chris O’Dowd is wonderful as the simple-minded, Lenny. His character, gestures and mannerisms are all fully developed and well acted. James Franco gives a strong first act performance as George but then fails to find any real emotion in the pivotal moments of the second act. He fakes vomiting at one point and wipes away a few imaginary tears but that’s it. Based on the overall tone though, I’m not sure how much of it is Franco’s or director Anna D. Shapiro’s choice. It just didn’t work for me. What should have felt tragic was left feeling rather mundane.
I also thought Jim Norton was miscast here as Candy. He’s a great actor. I just felt he lacked the earthiness needed for the role, making him seem out of place.
It’s sad to see a production with so much promise, fall so flat.
The 9th Avenue International Food Festival Fifteen city blocks of food and beverages. A sea of people mixing tourists, families and a neighborhood crowd. The festival reportedly draws an average of 200,000 people over the annual two day event. We spent a couple hours walking around and sampling some of the food between shows. Most visible: Roasted Corn, Fresh Lemonade, Beer and Crepes. What is it about standing and eating crepes outdoors? I don’t really get it.
It was definitely bustling but no worse than Times Square and not hard to weave in and out of the crowd. There were a couple of blocks dedicated to children’s entertainment and for the most part, it was the typical mix of vendors you’d find at any outdoor festival anywhere in the world.
Rocky the Musical I always cringe when I hear another movie is being made into a musical. Is there no original source material anymore? Sometimes we choose shows for the spectacle and wildcard potential. Rocky was pretty much panned by the critics but we don’t always agree with them and we took a chance.
There’s a lot of money up on that stage and some actors that are giving their all. Unfortunately, all that effort doesn’t hide the major flaws in the material. Rocky is an iconic movie and story. I just can’t figure out how it could be told so poorly. Even with the spectacle, I thought it lacked energy and electricity.
Set in the 1970’s, as in the movie, costumes weren’t always period appropriate (skinny and stretch jeans) and the use of modern technology IN the story just added confusion. Particularly in the final fight scene, live video used “in the arena”– multiple screens used as part of the action and others used at the same time so the audience could see what was going on– all created a chaotic atmosphere.
Andy Karl (Rocky), Margot Seibert (Adrian) and Terence Archie (Apollo Creed) are all up there trying to do the best with what they’ve been given. I just did not understand the casting of Dakin Matthews as Mickey. I just didn’t buy it.
Basically, the set is the show. It moves, turns, twists and spins. The book and music are not that memorable– A huge disappointment coming from one of my favorite writing teams Ahrens & Flaherty.
NYC May 2014- Day One: Get There, Get Settled, Get Going
Leaving Cash was especially hard this trip and I stressed out a lot over it. He’s in good hands but he’s old and lonely and barely leaves our side. We got up at 2 AM to finish last minute packing and head to the airport for our 5:55 AM flight. In typical, O’Hare fashion, they only had one checkpoint open and the line was ridiculously long– and not moving. Luckily, they opened another checkpoint and we rushed down to it, making it to our gate with about five minutes to spare.
Michael and I sat across the aisle from one another on one of the bumpiest flights I’ve ever flown. It was like riding through Chicago’s pothole-filled streets towards the end of winter. The guy next to me, though wearing headphones, treated a good section of the plane to his Beyonce playlist for most of the flight. I didn’t feel comfortable saying anything but was really surprised the flight crew didn’t tell him to turn it down.
Morning traffic was a little heavy at 9 AM and our impatient taxi driver rode the tail of every vehicle we followed, slamming on the brakes multiple times to avoid a collision. There were more than a few close calls as the driver refused to let anyone merge in front of us. Somehow, we managed to arrive at our destination safely.
Home Away From Home AKA Times Square, is primarily an extended stay, apartment & condominium building and was a perfect choice for us. It was in the same price range as some of the regular hotel rooms we were looking at and it is actually larger than the average NY apartment. We have a full kitchen, washer and dryer and all the other amenities you’d hope for. I’ll let the pictures speak for themselves. Suffice it to say, we absolutely love it. In addition, there is a penthouse lounge, terrace and business center open for our use, with free Wifi throughout the building. Believe it or not, most places still charge a daily rate for WiFi. Having it on premises, means I won’t be spending nearly as much time at Starbucks, using theirs, as I have in recent trips.
Our room wasn’t ready when we arrived, as we’d expected, so we checked our luggage and grabbed breakfast at Cafe Un Deux Trois next door. I’m sure I’ll probably mention it again later– we’re also staying next door to Hedwig and the Angry Inch, starring Neil Patrick Harris. Some of the people watching opportunities have already been interesting as this show draws a much more diverse crowd.
We spent the remainder of the time before our room was ready, shopping for some supplies and relaxing in the penthouse lounge and terrace. When we got to our room, we unpacked and check out our view which includes a clear shot of the crystal New Years’ Eve ball, high above Times Square. We took a short nap and then we were off to our first show.
A Gentleman’s Guide to Love & Murder– You know the saying: Save the best for last? Well, we may have made a huge mistake and may have seen the best, first. Not that it’s an entirely bad thing– I mean, what a way to start a show binge! No matter what I write here, I won’t be able to fully capture my true feelings and appreciation for this show. The best I can do is to say that once in awhile, a show comes a long when everything about it is just right… and everything about this production of A Gentleman’s Guide to Love & Murder is seamlessly delightful.
The solid book and score by Robert L. Freedman and Steven Lutvak captures the music hall style but they didn’t allow themselves to get trapped by the genre and produced a thoroughly engaging, funny and rich work. The music here is essential to the plot and there are some simply gorgeous moments. Most shows I’ve seen have at least one moment, song or scene where I find myself wanting them to hurry up and move on. Not here. I was completely drawn in from start to finish.
Director and Choreographer, Darko Tresnjak and Peggy Hickey have done a superb job staging this wild romp with moments of inspired genius. Their work together is a seamless blend as is their guidance of the tremendous cast. When a production is this good, it’s impossible to tell where one person’s work begins and another’s ends.
Jefferson Mays and Bryce Pinkham are equally brilliant in their roles. They are both Tony-nominated this year but what gives Mays the edge over Pinkham is that he plays eight roles, sometimes leaving the stage as one and re-entering as another in just seconds. The featured women: blonde vixen, Lisa O’Hare; the lovely, Lauren Worsham; and I can’t leave out, the adorably funny, Jane Carr– are all perfectly cast.
All the technical aspects are perfect for this production but I have to single out Linda Cho’s costume design. Her costumes are not just appropriate and highly functional, they are flawless. Her use of color and especially the exquisite textures in her period designs should place her as a top contender for a Tony Award this year.
We had terrific front row, left orchestra seats last night… thankfully, we were not front row center. both Mays and Pinkham are spitters. Needless to say, the audience in the front center seats were showered with more than a good view of the stage.
I would definitely see Gentleman’s Guide again… and I’ve added it to my list of shows I’d love to do in the future. It’s just bloody good fun!
Another Rainy Day in New York City We’ve often experienced rain in NYC but it was a literal downpour last night– to the point of streets and sidewalks flooding. We left the theater, sans umbrellas but in water resistant jackets, made it a few blocks and stopped under cover to see if it was going to let up. In doing so, we ran into Mare Winningham, currently starring in Casa Valentina, also avoiding the rain. There is always a bright side to every situation if you look for it!
The rain let up a bit and we picked up pizza on the way back to our place and turned in around midnight. Tired, full and happy.
New York 2014: Broadway Here I Come!
If you know me really well, then you know that New York is my city. We try to get there at least once a year and this will be Michael’s and my longest stay yet. Ten days in the Big Apple… tickets to 17 shows and lots of other exciting activities planned. We started booking our trip a couple months ago, looking for the best deals on rooms and show tickets.
This year, in addition to visiting friends that live in NYC, two of our friends from home will also be in New York– part of the time– and joining us on some of our excursions, adding a different dimension to our trip.
National September 11 Memorial & Museum My most anticipated event this trip is attending the National September 11 Museum on the official opening day, May 21st. 2014. I’ve been to the memorial twice before but anticipate that the museum will be a heightened emotional experience. I’ve already contributed a few images to the museum’s Artists Registry and hope to add more after this visit.
Broadway & Off Broadway Shows I know it sounds insane, 17 shows in 10 days…. but this is what we do. We always try to get a mix of plays and musicals, throwing in a few Off Broadway shows as well, if our schedule permits. This year’s line up includes: A Gentleman’s Guide To Love & Murder, Of Mice and Men, Rocky, The Bridges of Madison Country, Under My Skin, The Cradle Will Rock, All the Way, The Cripple of Inishmaan, Casa Valentina, Phantom of the Opera, Bullets Over Broadway, If/Then, Act One, Mothers and Sons, Hedwig and the Angry Inch, Violet, and Heathers the Musical.
Something Old, Something New Each time we come to New York, our main goal is to see lots of shows and I think a lot of our friends think that’s all we do. But, we always try to experience as much of this amazing city as possible– time and weather permitting. Of course, we have a few restaurants and neighborhood destinations (sights) we try to visit every year, like Central Park— but we always try to add at least one new destination each trip and mix new restaurants in with a few old favorites. This year, we’ll be visiting The High Line for the second time, and will be venturing to the far north reach of Manhattan to visit The Cloisters and its surrounding Fort Tryon Park.
We’re also hoping to make it to this year’s edition of the annual Stars in the Alley concert, several street festivals and a (new to us) historical sight or two.
I hope to be blogging daily about our NY adventures– that is, if we’re not too busy out doing.
BROADWAY MUSICAL SPRING AWAKENING HITS THE NAPERVILLE STAGE
PRESS RELEASE
Box Office: 773-614-7846
Cell: 630-337-9432
Email: billy@surgingfilms.com
FOR IMMEDIATE RELEASE
BROADWAY MUSICAL SPRING AWAKENING HITS THE NAPERVILLE STAGE
Naperville, IL — Surging Films & Theatrics and Introspect Theatre jointly present the Award-Winning Broadway musical Spring Awakening, January 31- February 2, 2014 at the Center Stage Theater, 1665 Quincy Avenue #131, Naperville, Illinois 60540.
Excitement is building in the Chicagoland area as Surging Films & Theatrics and Introspect Theatre gear up for their joint production of the controversial and award winning hit musical, SPRING AWAKENING, with music by Duncan Sheik and book and lyrics by Steven Sater.
Winner of 8 Tony Awards, including Best Musical, SPRING AWAKENING is a rock musical adaptation of Frank Wedekind’s controversial 1891 expressionist play. Set in the rigid and repressive late 19th century Germany, SPRING AWAKENING follows a group of students navigating their way through the timeless story of teenage self-discovery and coming-of-age anxiety in a powerful celebration of youth and rebellion. Alternative rock ignites the stage as part of the folk-infused score that fuels the inner angst of the capricious teens. SPRING AWAKENING is rated R for language, violence, and sexual content.
Artistic Directors Jeff Linamen and Billy Surges have assembled a phenomenal cast for SPRING AWAKENING, featuring outstanding talent from all over the Chicagoland area. Surges leads the cast in the role of Melchior Gabor, a smart, headstrong boy who refuses to bow down to society’s rules. He is best friend to Moritz Stiefel (Billy Chengary), a troubled and uncertain boy, unable to handle the pressures he receives from his parents and peers to succeed. Rounding out the trio is Katie Meyers as Wendla Bergmann, an innocent young girl, exploring her blossoming curiosity to tragic results.
The large cast features Amara Brady (Martha), Taylor Bright (Thea), Tyler Clayton (Otto), Becca Heitz, Noelle Humbert (Ilse), Marc James, Mark Johnson (Adult Man), Gabi Knoepfle, Alex Knoll (Ernst), Chris Knudsen, Jennifer Lenius, Brandon Piper, Jordan Piper (Anna), Katie Long Piper (Adult Woman), Brandon Pisano (Hanschen), Vince Tolentino (Georg) and Aiyanna Wade.
Following its conception in the late 1990s, SPRING AWAKENING received further development leading to its Off-Broadway debut in May 2006. The original Broadway production of SPRING AWAKENING opened at the Eugene O’Neill Theatre on December 10, 2006. Its cast included Jonathan Groff, Lea Michele and John Gallagher, Jr. with a creative team led by director Michael Mayer and choreographer Bill T. Jones. The original Broadway production won 8 Tony Awards, including Best Musical, Direction, Book, Score and Featured Actor (Gallagher). The production also garnered 4 Drama Desk Awards and a Grammy Award for Best Original Cast Album.
The success of the Broadway production has spawned numerous productions worldwide, including a production in London’s West End that won 4 Laurence Olivier Awards including Best Musical.
Surging Films & Theatrics and Introspect Theatre are presenting the full, uncut version of SPRING AWAKENING, January 31 at 7:30pm, February 1st at 2pm and 7:30pm, and February 2ndat 2pm at Center Stage Theater, 1665 Quincy Ave., #131, Naperville, IL 60540. For ticket information, visit www.surgingfilms.com or call 773-614-7846.
SPRING AWAKENING contains strong language, sexual situations and mature themes and may not be appropriate for younger or sensitive audiences. Recommended for ages 15 and up.
SPRING AWAKENING
Presented by Surging Films & Theatrics and Introspect Theatre
January 31, 2014 at 7:30 PM
February 1, 2014 at 2:00 PM and 7:30 PM
February 2, 2014 at 2:00 PM
Center Stage Theater, 1665 Quincy Ave., #131, Naperville, IL 60540
BOX OFFICE: 773-614-7846
Directors Jeff Linamen & Billy Surges
Music Director Seth Durbin
Choreographer Billy Surges
Contact:
Billy Surges, Surging Films & Theatrics
Cell: 630-337-9432
Jeff Linamen, Introspect Theatre
Cell: 630-240-1229









