I tried to sleep in but after waking a up a few times, I found myself heading to Starbucks at 5 AM– after I realized I forgot to get ground coffee for our room. Times Square is always so peaceful early in the morning. I love experiencing the drastic changes in the energy as the day progresses. Even though I try to walk the perimeter of the area going to and from shows to avoid the crowds, it’s still a fun vibe to be in the heart of — just in small doses.
We relaxed most of the morning, staying near our apartment, knowing it was going to be a long day. We left around noon, took a walk and did some exploring before our matinee. It was a beautiful day in the upper 60’s and sunny.
Of Mice and Men I don’t get too many opportunities to see professionally produced classic dramas. Choosing OM&M was more about the show itself than seeing James Franco. Sometimes star power works for a production but actors still need to prove they belong there.
The first act was pretty solid, only to fall apart in the second act. I don’t understand why anyone would think it was a good idea to sanitize the most dramatic moments of the show, leaving them void of emotion. How can characters completely disassociate themselves from feelings where death is concerned? That is exactly what happens in this production.
Chris O’Dowd is wonderful as the simple-minded, Lenny. His character, gestures and mannerisms are all fully developed and well acted. James Franco gives a strong first act performance as George but then fails to find any real emotion in the pivotal moments of the second act. He fakes vomiting at one point and wipes away a few imaginary tears but that’s it. Based on the overall tone though, I’m not sure how much of it is Franco’s or director Anna D. Shapiro’s choice. It just didn’t work for me. What should have felt tragic was left feeling rather mundane.
I also thought Jim Norton was miscast here as Candy. He’s a great actor. I just felt he lacked the earthiness needed for the role, making him seem out of place.
It’s sad to see a production with so much promise, fall so flat.
The 9th Avenue International Food Festival Fifteen city blocks of food and beverages. A sea of people mixing tourists, families and a neighborhood crowd. The festival reportedly draws an average of 200,000 people over the annual two day event. We spent a couple hours walking around and sampling some of the food between shows. Most visible: Roasted Corn, Fresh Lemonade, Beer and Crepes. What is it about standing and eating crepes outdoors? I don’t really get it.
It was definitely bustling but no worse than Times Square and not hard to weave in and out of the crowd. There were a couple of blocks dedicated to children’s entertainment and for the most part, it was the typical mix of vendors you’d find at any outdoor festival anywhere in the world.
Rocky the Musical I always cringe when I hear another movie is being made into a musical. Is there no original source material anymore? Sometimes we choose shows for the spectacle and wildcard potential. Rocky was pretty much panned by the critics but we don’t always agree with them and we took a chance.
There’s a lot of money up on that stage and some actors that are giving their all. Unfortunately, all that effort doesn’t hide the major flaws in the material. Rocky is an iconic movie and story. I just can’t figure out how it could be told so poorly. Even with the spectacle, I thought it lacked energy and electricity.
Set in the 1970’s, as in the movie, costumes weren’t always period appropriate (skinny and stretch jeans) and the use of modern technology IN the story just added confusion. Particularly in the final fight scene, live video used “in the arena”– multiple screens used as part of the action and others used at the same time so the audience could see what was going on– all created a chaotic atmosphere.
Andy Karl (Rocky), Margot Seibert (Adrian) and Terence Archie (Apollo Creed) are all up there trying to do the best with what they’ve been given. I just did not understand the casting of Dakin Matthews as Mickey. I just didn’t buy it.
Basically, the set is the show. It moves, turns, twists and spins. The book and music are not that memorable– A huge disappointment coming from one of my favorite writing teams Ahrens & Flaherty.