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Tragedy and a Deserted Island

Southeast Asia Travel -11/14 – Day Sixteen: We woke up early to the news of the Paris attacks, as they were in progress; and we were instantly glued to the TV. Outside our balcony door, we could see our ship was cruising closer to the peaceful, sparsely populated island of Tioman, Malaysia… our destination for the day.

In the marketing materials for the cruise, Playbill touted (what other sources have as well) that Tioman was the island used to represent Bali Hai in the movie South Pacific but this isn’t true. Those scenes were actually filmed in Hawaii. Nevertheless, this beautiful island was here waiting for us.

The island of Tioman, Malaysia.

The island of Tioman, Malaysia.

The chaos playing out in Paris was diametrically opposed to the serenity before me. It just wasn’t right.

We broke away from the TV and headed to breakfast. Only a few people had started straggling in. Of course we wondered if anyone else knew what was going on in France. Our ship is French—did the crew know yet?

We checked the news again after we ate, and then decided to catch the first tender, figuring it was only going to get more crowded if we waited for a later one. We got down to the deck only to find out it had temporarily been postponed. After an hour, the temporary delay had become a questionable, permanent decision. No Tioman.

A captivating little lagoon on Tioman. Used my zoom lens, shot from our ship. It was as close as we'd get.

A captivating little lagoon on Tioman. Used my zoom lens, shot from our ship. It was as close as we’d get.

The story of what actually happened will probably always be a mystery. We were told that the resort we were supposed to visit (and use their beach)– suddenly went bankrupt overnight. This was odd as we were also told that as of the night before they were excited we were coming. I should also note that the population of Tioman (in 2008) is estimated at 432. So to believe this story, you’d have to believe that a small beach resort, knowing a ship was bringing over two hundred customers for the day– suddenly decided to close shop and not even wait an extra day, collecting whatever income it could. It makes no sense.

Add to this, there were two other resorts visible from our ship and no one could be reached at either of them. From our viewpoint, the coast was completely deserted.  A rumor started on our boat, early on, that initially I didn’t give much credence. A few people were suggesting that because of the Paris attacks and because our ship was French; the islanders were afraid to let us come ashore. Later I had no choice but to believe it, especially after seeing movement on shore as soon as our ship started drifting further away. A few small fishing boats also started to appear. It was curious to say the least.

At noon, the crew organized a brief gathering on the rear deck to remember the people of France and lowered the French flag to half-mast. Yes, all over the world- even on a small ship floating in the South Pacific– people were touched and solidarity ruled over despair.

It was announced that at 2 PM the Broadway performers were rallying together to put on a variety show to entertain the ship. This thrown-together event turned out to provide some pretty exciting moments. All the performers (except Liz Callaway whose concert was scheduled for tonight) performed; giving us a wonderful show. For many of us, it was probably a better way to spend the afternoon than basking in the sun anyway.

All the performers, giving their all, in the afternoon's surprise variety show.

All the performers, giving their all, in the afternoon’s surprise variety show.

This was our last night on the ship; tomorrow we’d dock in Singapore.

The incredible Liz Callaway.

The incredible Liz Callaway.

Liz Callaway’s show was moved up to an hour before dinner. She pulled out all the stops and gave us a terrific show. I was especially thrilled because her final song was, The Story Goes On, from the musical Baby. Particularly poignant for many reasons. Liz is another of the many Broadway performers that gives her whole heart when she sings. It was a perfect last concert among so many great performances we received.

Following the concert, we had the introduction of the ship’s crew and our final toast to the end of a great cruise. Michael and I just happened to be sitting in front of Hunter Foster and Jennifer Cody, so we got to clink our glasses of champagne with them.

I regret not getting to say goodbye to a lot of people after dinner. I really wasn’t thinking about the unlikelihood of seeing many of them in the morning. We were smart enough to get most of the email addresses exchanged early though, so we’d be able to stay in touch.

We spent the last couple of hours before bed packing and dealing with the reception desk. The cruise has gone way too fast and I’m just thankful for all the wonderful memories. Luckily, we have a full day in Singapore tomorrow before we start the long journey home.

Seasick & Show Happy

Southeast Asia Travel -11/13 – Day Fifteen: Breakfast… show… lunch… show… show… dinner… show. That was today’s schedule.

Christine Ebersole preparing to sing "Around the World".

Christine Ebersole preparing to sing “Around the World”.

I was really excited about the first event of the day—Seth Rudetsky interviewing Christine Ebersole and Rachel York about their roles in the musical, Grey Gardens. Christine won a Tony Award in 2007 for her dual roles of Edith and Edie Beale. We were fortunate to see her performance on Broadway. Rachael York just finished playing the same role(s) this summer starring opposite Betty Buckley. The highlight of this session was Christine Ebersole singing Around the World from the show.

 

Christine Ebersole, Seth Rudetsky & Rachel York discuss Grey Gardens.

Christine Ebersole, Seth Rudetsky & Rachel York discuss Grey Gardens.

 

Here’s a YouTube clip from the Broadway production:

 

 

Pat Birch is probably not a name familiar to a lot of people though her work is everywhere. A dancer/choreographer/director with credits a mile long, she has definitely left her mark in many forms of media and entertainment. Film, theatre, TV, music videos… she’s done it all.

Pat entertained us with stories from her career, hosted by John Fahey, in the afternoon.

Patricia Birch with Tommy Tune at the Opening Dinner.

Patricia Birch with Tommy Tune at the Opening Dinner.

Patricia Birch started as a dancer and quickly segued in choreography. She played the role of Anybodys in the 1960 revival of West Side Story. Among her many credits she was responsible for choreographing stage and film productions of Grease, Candide, A Little Night Music, Parade and her work was regularly seen on Electric Company, 6 seasons of Saturday Night Live, and the film, The First Wives Club. That’s just a sample. Pat is a friendly, gifted and fascinating artist.

The Playbill Cocktail Hour became The Newlywed Game today. Better stated: The Broadway Newlywed Game. All the questions had some Broadway connection. Three couples married less than a year participated: One older couple, one young gay couple, and one couple I’d guess to be in their late 30’s. The game itself was fun but it was the banter between the hosts that made it the best. Married couple, Jennifer Cody and Hunter Foster were hysterical—much of the time, not trying to be! From making the instructions more confusing than reading the U.S. Tax Code to Jennifer’s constant quick wit—it was a ball.

I have to say I was feeling a little seasick today. At least the constant, slight rocking back and forth wasn’t helping how I was feeling. To say that I was grumpy at dinner was an understatement. Feeling the way I did, the extremely slow service started to make me crazy. Dinner took an hour and 50 minutes to get through—with big breaks between courses. I wanted to pull my hair out. We barely had time to run back to the room before the evening’s show.

Rachel York

Rachel York

Rachel York has a powerhouse voice that doesn’t quit. I don’t think I’ve ever seen a performer do so many big power numbers in one set before– each using the full range of her voice. She loves doing impressions. She gave us Julie Andrew, Liza Minnelli. Cher, Celine and a whole lot more. One example, Rachel sang I Will Always Love You, starting with Whitney, switching to Dolly, throwing in a few others and ending with Whitney’s big ending.

 

Rachel York accompanied by Seth Rudetsky.

Rachel York accompanied by Seth Rudetsky.

 

With all the performers there has been a great variety in content and style of performances… Not to mention the contrasts of the different personalities. In spite of the changes in the originally announced list of performers, Playbill has done an excellent job of entertaining us with a wide range of Broadway talent.

Beach & Banter

Drift wood on Koh Kood.

Drift wood on Koh Kood.

Southeast Asia Travel Day Eleven: Beach & BBQ day today in Koh Kood, Thailand. It was just what you’d expect of a fairly secluded beach on a tropical island– loads of palm trees and lush foliage. There was a huge sandy clearing with tables and chairs for eating and many beach chairs for sunning, down by the water. The crew from the ship hauled all the food and supplies out early before the rest of were tendered to the island dock. We stayed a couple hours- ate and walked the shoreline; then went back to the ship.

 

Our ship, Le Soleal from the beach.

Our ship, Le Soleal from the beach.

 

The beach lagoon at Koh Kood, Thailand.

The beach lagoon at Koh Kood, Thailand.

Looking out to sea from the island of Koh Kood.

Looking out to sea from the island of Koh Kood.

Lindsay Mendez at the autograph signing.

Lindsay Mendez at the autograph signing.

 

The first of two mingle and autograph sessions were held before dinner. Tommy Tune designed the poster for this year’s cruise. About half of the performers did the signing today: Tommy Tune, Christine Ebersole, Norm Lewis, Lindsay Mendez, Seth Rudetsky and Liz Callaway. It was a good chance to talk with them without feeling like you were imposing on their vacation time. On a day-to-day basis, some were more friendly and accessible than others; and we often found an opportunity to chat in passing.

 

Christine Ebersole and Seth Rudetsky (with daughter Juli) signing autographs.

Christine Ebersole and Seth Rudetsky (with daughter Juli) signing autographs.

Hunter Foster & Jennifer Cody chat about their careers and relationship during their evening performance.

Hunter Foster & Jennifer Cody chat about their careers and relationship during their evening performance.

After dinner, Broadway couple- Hunter Foster and his wife Jennifer Cody performed. They did more of a ‘chat and sing’ style performance, hosted by Seth Rudetsky. This was the perfect format for them. Especially, since most of us were less familiar with Jennifer Cody, by name… but most had probably seen her in at least one show if not more. From the shows that were mentioned, I figured Michael and I had seen her at least three or four times in different Broadway shows. We last saw Hunter on closing night in The Bridges of Madison County. They both gave impressive performances together and alone. It was also fun to listen to their witty banter and learn more about their careers and the two of them as a couple.

 

Hunter Foster singing, Empty Chairs at Empty Tables.

Hunter Foster singing, Empty Chairs at Empty Tables.

 

The always bubbly, Jennifer Cody.

The always bubbly, Jennifer Cody.

NYC May 2014- Day Three: Bridges & Body Switching

We had lunch at one of our favorite spots, Havana Central, Times Square  (151 West 46th Street) and as usual, the food was excellent. We both had the original Cuban Sandwiches with black beans and yellow rice. As a kid, we used to go to the Silver Ring for Cuban sandwiches in Ybor City, Florida. Lots of places offer Cubans but most aren’t authentic. Cuban bread is crusty and has a specific taste. Most places don’t use Cuban bread. Havana Central is the only place (other than Silver Ring) I’ve found that makes a good Cuban sandwich. We’ve tried many things on the menu and all has been quite good. The service is also fast and courteous.

Bridges-of-Madison-County-Playbill-01-14_1389306410The Bridges of Madison County How do you critique one of the most gorgeous shows Broadway has seen in years? First, I should probably say that I have not read the book nor seen the movie, so I wasn’t bound to any comparisons.

Bridges is the perfect marriage of story and song, beautifully told through wonderful staging and exquisite vocals. The entire cast is brilliant. I do have to single out Kelli O’Hara (Francesca) and Steven Pasquale (Robert), supported through outstanding performances by Hunter Foster (Bud) and Cass Morgan (Marge).

In my opinion, this is O’Hara’s best performance to date. Her character is beautifully layered and she sings Francesca with such a committed, passionate skill. Passquale’s vocals moved me like no other male vocalist has done in many, many years. His voice literally lifts the score and raises it through the roof.

Marsha Norman has expertly adapted the book to weave and intertwine with Jason Robert Brown’s lush score producing a work that grabbed my soul from the very beginning and didn’t release it even after the final bow. Brown’s orchestrations are so full and magical I can’t find the words to describe their beauty. Show show completely envelops you.

Most shows, or their respective productions, have not had the ability to reach me the way this did. It is the most passionate, romantic production Broadway has seen since probably The Light in the Piazza or Stephen Sondheim’s darker, Passion. I was so moved, I had tears in my eyes for nearly the entire performance, from the very first notes.

curtain

The Bridges of Madison County final curtain call with Marsha Norman and Jason Robert Brown.

We saw the closing performance, adding to the electricity in the theater. It is a very sad statement that a show this incredible could not find a Broadway audience. Worse still, is that it was snubbed by the Tony committee in the Best Musical and Best Actor categories— which, at the very least, is a travesty.

$_35Under My Skin I’d hoped we were in for a good old-fashioned comedy after the emotional matinee.

I chuckled.

I don’t have a whole lot to say about this, other than it is a rather amateurish male-female, body-switching comedy that is entertaining but completely predictable.

Written by the married writing team, Robert Sternin and Prudence Fraser of Who’s the Boss? and The Nanny fame. Their sitcom influences are readily apparent here. The only thing missing were the commercials and a badly needed laugh track.

This was not what I expected from a professionally produced (Off Broadway) production but can see the show having an active life in the community theatre circuit in years to come.