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Travel 2017: A Special Concert in Viviers: Day Twelve

We woke up this morning to another beautiful sunrise. This time, docked at Viviers in southern Ardèche, we had the beautiful Viviers Suspension Bridge in full view from our balcony. We’ve had the most wonderful weather in southern France!

 

Viviers Suspension Bridge.

 

We decided ahead of time to join our friends for a morning walking tour of Vivier.

Our small group entered town, enjoying a relaxing walk under the canopy of ancient Plane trees before reaching the town’s center. We then slowly made our way to the upper town, as our guide gave us some history and noted points of interest along the way.

The small commune of Viviers, dates back to the 5th century. Today, it has less than 4,000 residents. It is a medieval town that has largely escaped the ravages of time. Scenes from the 2000 movie, Chocolat (Johnny Depp), were filmed here.

 

Strolling to town under a canopy of Plane Trees.

 

The Quiet Streets of Viviers.

 

A Famous Viviers Butcher Shop.

 

Sausages, anyone?

 

One of the buildings tied to an interesting piece of local history is the Maison des Chevaliers, or the House of the Knights. The age of the actual structure of the building is unknown but the fascade was constructed between 1545 and 1560. Several houses were combined to create what was to become the House of Knights for Noel Albert.

Albert, a rich merchant– had converted to Protestantism, opposed the king– and as a result, was tried and beheaded in 1568. As bailiff of the bishop of Viviers, he was believed to have been skimming money from the taxes he collected as well.

 

On the left, Maison des Chevaliers, the House of the Knights.

 

Marianne- Goddess of Liberty.

 

Beautiful Centuries-Old Buildings.

 

Roses climb many of the buildings’ fascades in Viviers.

 

Morning Sunlight Seemed to Stream Through Every Possible Nook and Cranny as we approach the entrance to Viviers Cathedral.

 

Saint-Michel Tower (11th century) of the St. Vincent Cathedral.

 

Entering a covered passageway in Viviers.

 

The Sampzon House (16th Century) Viviers, France.

 

Saint Vincent Cathedral.

 

Beautiful scenic spots everywhere.

 

Looking out over Viviers and the countryside.

 

The Fortress Walls of Viviers from the Upper Town.

 

Medieval St. Vincent Cathedral.

 

Gargoyles of St. Vincent.

 

Viviers Rooftops from Belvédère de Châteauvieux.

 

Viviers From Belvédère de Châteauvieux.

 

Château de l’Ourse in Belvédère de Châteauvieux Square.

 

We visited the shop of Jean Luc Allonneau, Atelier 3 Ceramiques where he has been handcrafting functional ceramic pieces since 1981. After a tour of his workshop, he gave us a brief demonstration at the potters’ wheel.

Independent craftsmen like this are finding it more and more difficult to stay open and competitive with the accessibility of mass produced goods– priced much lower but of inferior material and design.

Jean Luc still hand selects his materials and completes each piece entirely on his own. The process for each, takes more than a month to complete with drying, firing and glazing to be done. He produces pots and dinnerware collections in addition to some pieces created from handmade molds.

 

Atelier 3 Ceramiques Handcrafted Pottery Shop.

 

Inside Atelier 3 Ceramiques pottery.

 

Jean Luc Allonneau at work.

 

On the street in Viviers. The 11th Century Clock Tower on the right.

 

Viviers is the  birthplace of the Society of Lime and Cement Lafarge. Naturally occurring hydraulic limestone is mined here. The lime is burned to create a product that is used in mortar for construction.

I was particularly interested in this because the brick in our own 1889 house– is held together with a lime-mortar that has to be specially mixed for tuck-pointing (repair).  It is seldom used today in new construction– now, mostly Portland Cement. The advantages of lime include a slow drying process and a much stronger, resilient, finished product.

 

Mining Lime Lafarge.

 

On our way back to the ship, we stopped for a photo op with our friends before returning to the ship for a late lunch. We had a few hours before we would walk back into town for a special concert Playbill had arranged for us.

 

Group Photo Op with Friends.

 

Viviers Cathedral aka St. Vincent Cathedral. Earlier in the day, we didn’t have a chance to go inside the cathedral but we saw the exterior from virtually every angle. I suppose, aside from the fact that we saw the performers entering to rehearse, when we passed in the morning– the main reason was: we’d return for our special concert in the afternoon.

St. Vincent Cathedral, built in the 11th century, is the smallest, if not the oldest, medieval cathedral in France that is still active today.

During the French Wars of Religion between the Catholics and the Protestants in the 16th century, the vaulted ceiling was destroyed. It was not  rebuilt until the 18th century.

At the front of the church, in the semicircular apse, hang all but one of their highly prized tapestries. Two were stolen from the church in the 1970’s and one was later recovered (found in Italy). The famous 18th century royal tapestries were manufactured by Gobelins in Paris, representing scenes from the Bible. You can see the empty frame of the stolen tapestry, which depicted The Last Supper, in the picture below.

 

 

Inside St. Vincent Cathedral, Viviers.

 

Chandelier in St. Vincent.

 

Concert at Viviers Cathedral. This was a first for Playbill Travel. Not only were we getting a concert in a beautiful venue– they were doing a second concert for the entire town, after ours. So you might say– ours was the dress rehearsal. (Wink.)

 

Left to Right, James Barbour, Liz Callaway, Rebecca Luker and Paulo Szot open “A Concert at Viviers Cathedral”.

 

The concert truly was special. Having the chance to hear some of the great music of Broadway, resonating through this beautiful cathedral was breathtaking. The performances were great and the setting gave it an added magical touch. James Barbour, Liz Callaway, Rebecca Luker, John McDaniel and Paulo Szot all received a well-deserved standing ovation. A truly memorable event.

 

James Barbour.

 

Rebecca Luker ‘s angelic voice fills the cathedral with “The Sound of Music”.

 

Paulo Szot’s inspiring and thunderous, “The Impossible Dream”, was one of the highlights .

 

Liz Callaway relives “Memory” from Cats.

 

Musical Director John McDaniel singing, “Anyone Can Whistle.

 

James Barbour and Rebecca Luker serenade one another.

 

Paulo Szot and Liz Callaway share a tender moment, singing Sondheim’s “With So Little To Be Sure Of”.

 

The Broadway on the Rhone Performance in St. Vincent Cathedral, Viviers, France.

 

We found out later, that after our concert, several of the performers thought they’d get a bite to eat in town between shows. Only one problem– everything had closed down because everyone was going to the concert! The whole town attended, including the mayor. Some said they didn’t know what to expect from the concert. Very quickly they were drawn in, thrilled when they recognized some of famous Broadway tunes. The crowd loved it and it was a huge success.

Bravo, Playbill Travel!

 

Travel Date: May 24, 2017, Wednesday (Day 12)

Travel 2017: A Perfect Day In Avignon: Day Eleven

Traveling to new places can certainly be a mixed bag of experiences. I learned a long time ago not to let expectations get in the way of the experience itself. Even if you’ve spent a lot of time researching a destination in advance, there are always surprises along the way. Something might be closed. There may be a new exhibit or a festival that suddenly draws your attention. It could be overcrowded or timing may play an important role. Weather may also be an important factor. Whatever the situation when you arrive, flexibility is the key.

During our stop in Avignon, we had six optional excursions to choose from. Four were included- a walking tour of Avignon, a walking/tram tour (for gentle walkers), the Pont du Gard Aqueduct, or kayaking on the Gardon river. Two offerings, for an additional charge, included: A cooking class with a master chef at the Hotel la Mirande, or Chateauneuf-du-Pape wine tasting.

I was interested in seeing the Aqueduct but that meant sacrificing a visit to Avignon and the Palace of the Popes. So it was hard to choose. Michael and I ended up deciding we wanted the adventure of exploring Avignon on our own. I thought to ask our Cruise Manager Tania, if there was an admission ticket to the Palace of the Popes, which there was. She had a few tickets on hand, for those not taking the tour that wanted to explore on their own. Good thing I asked!

One other thing– in each city we docked, Uniworld had maps available to take with us, whether we went with a guided group or not. Taking one today was especially beneficial.

 

The Medieval rampart surrounding Avignon.

 

We crossed the main road that runs along the Rhone river and entered the fortified walls of Avignon.

Avignon dates back to at least the 6th century BC under Greek domination. Naples and France each had their own piece of early history here. By the 1300’s, it became the residence of the Popes– seven in all would make Avignon their home before the Papacy returned to Rome as the permanent residence. In addition, multiple plagues had a big impact on the city over the centuries.  While the current city population is about 90,000, only about 12,000 live with the ancient city center that is surrounded by looming medieval ramparts.

We walked through narrow streets, into the city, finding ourselves in the Place de l’Horloge. Not only is it considered the city center, it is one of the most perfect squares (I’ve seen so far) in Europe. It was still early in the day when we arrived. The hour was reflected by the activities of the merchants and restaurateurs busily preparing to open up shop. What made it so perfect was the blend of colorful shops, historic buildings and an old world atmosphere that hadn’t been completely modernized or commercialized. It still had so much charm.

 

The streets of Avignon.

 

A restaurant along the Place de l’Horloge in Avignon.

 

Hotel de Ville, (City Hall) Avignon.

 

The clock tower of the Hotel de Ville.

 

The theatre in Place de l’Horloge, Avignon.

 

Bank of France in Avignon.

 

Just a few blocks away was the Square Below the Palace of the Popes (Place du Palais). Not quite as charming as Place de l’Horloge but still historically beautiful and well preserved. There we found an artist was setting up to sell his work. Across the square, an accordionist played his squeezebox; busking at the steps of the Palace.

 

Vendors and artists setting up in front of The Old Mint (Hotel des Monnaies) across from the Palace of the Popes. Built in 1619, it has housed the Avignon School of Music since 1860.

 

One of the buskers near the Palace of the Popes.

 

Notre-Dame des Doms Cathedral.

 

Palace of the Popes.  The Palais des Papes is one of the 10 most visited monuments in France. It is the largest Gothic palace in Europe. Built in the 14th century, it was first home to Popes, then Legates,  and finally Vice-Legates up until the French Revolution. Six papal conclaves were held here.

 

Palace of the Popes in Avignon, France.

 

The majority of the palace was constructed in less than 20 years.

Over 20 rooms can be explored during your visit.  Most of the ornate embellishments that were the finishing touches of later Popes, are now gone. One of the most interesting areas of the palace are the Popes’ private chambers– with original frescoes painted by the Italian artist Matteo Giovannetti. (No photography allowed.)

The palace was first opened to the public in the early 1900s. Today, exhibitions and performances are held here year-round. It is interesting that the palace has not been turned into a museum house in the way that many historic places have been. Here, the focus is on the magnificence of the building and architecture itself.

 

Sunlight bursting through a door of the medieval Palace of the Popes.

 

Incredible detailed art on the arched ceilings, entering the Palace.

 

Silhouettes of an art exhibition, inside the courtyard of the Palace of the Popes.

 

Interior courtyard view of the Palace of the Popes.

 

Sacristie Nord in the Palace of the Popes.

 

The Grand Chapelle.

 

The incredible brickwork in the Grand Chapelle of the Palace of the Popes.

 

Looking out of ornate Gothic windows of the Palais des Papes.

 

Walking the rooftop terraces of the Palace.

 

The Spires of the Palace of the Popes from the roof.

 

Looking down on the Honor Courtyard, used today for performances and home of the Avignon Theater Festival.

 

Avignon from the roof of the Palace of the Popes.

 

The gilded statue of the Virgin Mary tops the Avignon Cathedral, also known as Notre-Dame des Doms Cathedral.

 

 

Looking out towards Notre-Dame des Doms Cathedral (from the Palace) containing the mausoleum of Pope John XXII.

 

The bell tower above the Palace of the Popes.

 

One of the elaborate entrances to the Palace.

 

Exterior of the Palace of the Popes.

 

From the Palace, we wandered through the streets of Avignon, passing many shops and small theatres on our way to the Rocher des Doms Garden overlook. We strayed from the main path, discovering some unique passages and paused a moment to watch a sculptor at work.

 

Off the beaten path in Avignon.

 

A Sculptor at work.

 

Finding our own way to the top of the hill.

 

Many steps twist and turn to the top of the overlook.

 

After winding our way around, climbing many steps, we found ourselves at the top of the Rocher des Doms Garden Overlook. The gardens and panoramic views were nothing short of spectacular. It was just incredible up there. I couldn’t help but wonder if our cruise mates were going to miss out on all this beauty, or be rushed through, to stay on schedule. We had all the time in the world.

 

Fortress and Bishop’s Palace in Avignon.

 

Incredible view of the Rhone river.

 

Looking over Avignon from the hill.

 

I think we found the best view of the famous bridge- Pont d’Avignon or Pont Saint-Bénézet. Originally completed in 1185, it crossed the Rhone, only to be destroyed 40 years later by Louis VIII when taking over Avignon. It was rebuilt with 22 arches but river flooding repeatedly damaged the bridge. The surviving sections of the bridge are believed to have been constructed around 1345, with the Chapel of Saint Nicholas at the middle of the four remaining arches. The bridge is considered an important representation of the city, as well as the inspiration for the song, Sur le pont d’Avignon.

 

The famous Pont d’Avignon– Pont Saint Benezet Chapelle St Nicolas.

 

We took a break, grabbing a drink from a small cafe on the hill, and continued to enjoy our beautiful surroundings. We had perfect weather. It was hard to leave this place but we needed to start making our way back down the hill.

 

Ducks playfully enjoying the garden fountain and pond.

 

Along the garden path.

 

Beautiful Avignon.

 

We reached the bottom of the hill, once again passing the palace and finding ourselves back at Place de l’Horloge. It was a little busier now, the carousel was in motion and tourists were beginning to fill the streets and shops.

 

Back at Place de l’Horloge, Avignon.

 

The carousel, Place de l’Horloge, Avignon.

 

We’d only covered about a third of Avignon but felt like the experience had been totally fulfilling. It was still early afternoon and we could have spent more time but I was anxious to get back to the ship.

 

Lighting Paulo. I ended up volunteering (getting volunteered) to try and help improve the lighting for tonight’s concert. After the daily briefing in the Van Gogh lounge, while everyone else headed to the Cezanne Dining Room for dinner, I stayed and helped the staff transform the lounge into a makeshift theater.

On all the previous Playbill cruises the ships had actual theaters (or performance spaces) with a stage. Being a much small ship, specifically designed for river travel, the S.S. Catherine had only the large Van Gogh Lounge (with no stage) that could accommodate all the guests at one time.

I’m not sure I was able to improve the lighting that much– but at least music director, John McDaniel would be lit. (The night before, he was totally in the dark.) The ship staff seemed grateful for the assistance and asked if I’d hang around for sound check.

 

A Private Moment. There really wasn’t time to go join our group in the dining room– so I went to our regular spot, which coincidentally was just off the lounge– on the front-lower deck of the ship. I got out there just in time to watch as our ship passed through one of the river locks– the first one I got to observe from start to finish. It’s fascinating how it works, moving from different water levels– and the fact that these locks help prevent most of the flooding that could occur along the river is pretty incredible.

 

Going through one of the locks between Avignon and Viviers.

After the lock, we were back in open water. Mostly natural, undeveloped land drifted by– with the occasional building or the remains of some ancient building coming and going from view. The sun was still quite hot as it was slowly starting it’s late afternoon descent from the sky. It was peaceful, quiet, and really a beautiful moment. How lucky I was to be experiencing it!

Late afternoon passing hilltop ruins on the Rhone River.

 

Paulo Szot In Concert. What a voice! Strong, rich, resonant– a joy to listen to. Paulo treated us to a wide variety of songs that included selections from his Tony Award-winning performance in South Pacific to Sondheim. I think the audience favorite had to be his rendition of Stars from Les Miserables; performed in many different languages and ending in English.

 

Paulo Szot.

 

Paulo Szot is one of the most acclaimed and versatile baritones in the world, having garnered international acclaim as both an opera singer and actor. Born in Sao Paulo to Polish immigrants, Szot has appeared in leading roles with many major opera companies throughout the world including the Metropolitan Opera, Paris Opera, La Scala, Dutch National Opera, San Francisco Opera, Rome Opera and Opera Australia. In 2008, he won the Tony Award for Best Actor in a Musical for his portrayal of Emile De Becque in the Broadway revival of South Pacific at Lincoln Center Theater, for which he also won the Drama Desk, Outer Critic’s Circle and Theater World Awards. Szot was the first Brazilian actor to receive such honors. In the recent 2016-2017 season, Szot appeared as Don Alfonso in a new production of Cosi fan tutte at Opera National de Paris and presneted a solo recital at Teatro Royal de Madrid as a salute to Frank Sinatra’s recordings of Antonio Jobim’s bossa novas. He also originated the roles of Alexander Hamilton, Bill Clinton and Dick Cheney in the world premiere of Mohammed Fairouz’s The New Prince at the Dutch National Opera. — Playbill

 

Paulo Szot, Broadway on the Rhone, May 2017.

 

Paulo Szot performing for the Playbill audience.

 

The wonderful Paulo Szot in Concert.

 

Music Director John McDaniel accompanying Paulo Szot in Concert.

 

Going Through the Locks. After the concert, the gang gathered on the deck and we were treated to quite a show. We went through probably the most unique of the locks on our trip– passing under, and then watching the massive gate drop behind us closing our ship in the lock, creating what felt like a medieval dungeon. It was dark and eerie, the ship’s floodlights reflecting off the dark, glistening walls as the water level changed before releasing us back out into the river.

 

Entering one of the more incredible locks we’d pass through on the Rhone river.

 

The S.S. Catherine, Inside the Lock.

 

Leaving the Lock on the Rhone River.

 

It had been quite a day! I always tell people that doing the Playbill cruises is like getting two vacations in one. You enjoy traveling to, and exploring, fascinating destinations– and then you have the wonderful Broadway concert experience on board. Today was the perfect example of the best of both worlds.

 

Travel Date: May 23, 2017, Tuesday (Day 11)