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The Magic of Macon, France

(NOTE: I will be adding more contentto this post in the very new future! I am reworking some of my blog– I apologize for the inconvenience. THANK YOU FOR VISITING!)

 

5/27/17- We docked at Quai des Marans in Macon, France for the last full day of our cruise on the Rhone River. After breakfast, many people took excursions out of the city, to enjoy some of the local vineyards. A small group of us chose to stay in Macon, and after a brief introduction to the layout of the city by our concierge, we set out on a truly beautiful walk through this magical city.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Autograph Signing On Board.

 

 

 

Rebecca Luker In Concert.

 

Rebecca Luker In Concert.

Rebecca Luker’s Broadway roles include Helen in FUN HOME. CINDERELLA’S Fairy Godmother, Marie. Winifred in the original Broadway production of MARY POPPINS (Tony Award nomination), Claudia Nardi in NINE opposite Antonio Banderas, Marian Paroo in THE MUSIC MAN (Tony Award nomination, Drama Desk Award nomination & Outer Critics Circle Award nomination), Maria in THE SOUND OF MUSIC (Outer Critics Circle Award nomination); Magnolia in SHOWBOAT (Tony Award nomination), Lily in THE SECRET GARDEN (Drama Desk Nomination); Christine in THE PHANTOM OF THE OPERA. With the New York City Opera Ms. Luker was featured in X (THE LIFE AND TIMES OF MALCOLM X) and was Fiona in BRIGADOON. Off-Broadway she starred in Maury Yeston’s DEATH TAKES A HOLIDAY – Outer Critics Circle nomination (Roundabout, 2011), the world premiere of A.R.Gurney’s INDIAN BLOOD (Primary Stages), CAN’T LET GO (Keen Company) and THE VAGINA MONOLOGUES. – http://www.rebeccaluker.com/

 

Rebecca Luker entertains on Playbill Travel’s ‘Broadway On the Rhone’.

 

Rebecca Luker

 

Rebecca Luker

 

Travel Date: May 27, 2017, Saturday (Day 15)

Playbill Travel’s “Broadway On the Rhone”

Travel 2017: London Museums and an American Classic: Day Three

It’s our third day in London and Michael decided he wanted to spend the morning relaxing at St. Pancras. I decided to head over to the British Museum by myself. Michael’s not a huge fan of museums so I was on my own.

 

The British Museum.

 

Masterpiece Clock, around 1650, at the British Museum.

British Museum. I arrived at the museum shortly after it opened and the line to get in moved quickly.

Like all the national museums in the U.K., there is no admission fee to get in. Just one of the things I love about London.

There are many museums in this city– most with a particular focus. The British Museum is dedicated to human history, arts and culture or could otherwise be described as hosting antiques, artifacts and relics from different civilizations throughout history.

In grading a museum, I usually prefer a number of things: a balance of what is displayed, the layout of the exhibition space, the way a story is being told, and the ambience of the building itself.

Unfortunately, this was not my type of museum. The British Museum has more than 8 million pieces in its collection and tries to display too many of them at one time.

The galleries are overcrowded with relics in what feels like haphazardly-placed displays, causing each room to be a congested maze. Add the large number of visitors to that and it becomes too claustrophobic.

Compound that– though galleries are loosely sectioned by civilization,  types of work, etc. — there is no easy-to-follow story or way to simply navigate through the museum’s collection.

 

A child’s sarcophagus, probably from Rome, early 200 AD.

 

I made my way through most of the exhibitions but did so pretty quickly– searching for pieces that might catch my eye. Sadly, I found very little interest here and was more anxious to get out of the crowded spaces so I could breathe again.

I can’t help but make the comparison to searching for a special find at an overcrowded flea market. Michael made the right decision to pass on the opportunity. He would have hated this experience.

In the afternoon, we found ourselves exploring the area of Victoria Embankment. We were on a quest to acquaint ourselves with new areas of London we hadn’t yet explored. It was an enjoyable walk that led us over to Somerset House, one of the places we didn’t have a chance to visit before.

 

Victoria Embankment.

 

Courtauld Gallery. Friends of ours had recommended the Courtauld Gallery to us which is located at Somerset House on the Strand. It is a small gallery with an extraordinary collection of Impressionist work.

The Courtauld Gallery.

I absolutely loved it. The collections, the ambience and the display were all handled to perfection.

I think we spent more time here than I did at the mammoth British Museum this morning. Works by van Gogh, Seurat, Monet and Degas were all beautifully displayed.

My big surprise was finding Georges Seurat’s painting, Young Woman Powdering Herself (1888-1890). I have a reproduction at home and have always loved this piece.

 

Viewing Georges Seurat’s Young Woman Powdering Herself.

 

If we’d have had more time, I could have easily spent several more hours here. I can’t fully explain it. I found the art here thrilling to behold. I definitely hope to return here again.

 

Inside the beautifully displayed Courtauld Gallery.

 

Dancer Ready to Dance, Right Foot Forward by Edgar Degas.

 

Vincent van Gogh’s Self-Portrait With A Bandaged Ear, 1889.

 

Who’s Afraid of Virginia Woolfe? One of our most anticipated performances was tonight’s production of Edward Albee’s Who’s Afraid of Virginia Woolfe? at the Harold Pinter Theatre.

 

Who’s Afraid of Virginia Woolf?

 

We couldn’t have been more pleased. Why is it that you have to travel to London to see a truly great performance of an American classic?

It starred Olivier and Bafta award-winning actress Imelda Staunton (Gypsy, Sweeney Todd, Edward Albee’s A Delicate Balance); Olivier award-winner Conleth Hill (Game Of Thrones, Stones In His Pockets, The Producers); Olivier award-winner Luke Treadaway (The Curious Incident of the Dog in the Night-Time, Fortitude, The Hollow Crown) and Imogen Poots, in her West End debut (A Long Way Down, Jane Eyre and Me And Orson Wells).

Everything about this production is perfect! Director James Macdonald’s vision brings to life a fresh, contemporary production that is the best I’ve ever seen. He has guided the actors into new territory with their original, rich, deeply-layered performances– paying perhaps the greatest tribute to Albee’s dark and disturbing masterpiece.

 

What a day!

 

Travel Date: May 15, 2017 (Day Three)

 

Travel 2017: Gardens, Rock and Robbery: Day Two

The Guard House at Kensington Palace Gardens.

After a good night’s sleep and no noticeable jet lag, we had a quiet breakfast, then headed out for the day.

Our morning target was Kensington Palace and gardens. We already knew tickets for the palace, which included a special new exhibition, had been sold out for months.

Getting off the Tube we came upon Kensington Palace Gardens, which has been called “the most exclusive address in London” and is also known as “Billionaires Row”.  There’s a guard house where you enter the street (and no photography allowed) which is lined with palatial mansions– many are the homes of foreign diplomats, or serve as foreign embassies. Prior to being renamed around 1870, the street was known as The Queen’s Road. It was the MI19 center, The London Cage, during World War II and the Cold War.

The beautiful tree-lined street was nearly silent under it’s shaded canopy.

Looking through the ornate gates at Kensington Palace.

This led us to the gardens of Kensington Palace. Not exactly sure where we were headed, we walked towards the palace, then around it, until we found the specific garden we were looking for.

I’d like to note that even if you aren’t touring it, you can still get surprisingly close to the palace, which also hosts a cafe that is open to the public. Last trip, we only saw Kensington from across the green of Hyde Park.

We passed the visitor’s entrance and came upon a maze-like path that wound us around to the Sunken Garden.

Our particular interest was that the garden has been transformed into the White Garden, in commemoration of the 20th anniversary of Princess Diana’s death. This was one of Diana’s favorite spots and it has been filled with many of her favorite flowers to mark the occasion.

The White Garden will be open to the public through the summer of 2017.

 

Remembering Princess Diana- The White Garden.

 

Beautiful arched trellises surround the Kensington Palace Sunken Garden, transformed into the White Garden to honor Princess Diana, 2017.

 

The Kensington Palace Sunken Garden has been transformed into the White Garden.

 

At the White Garden.

 

The Kensington Gardens, covering 242 acres are adjacent to Hyde Park, though crossing over from one to the other goes unnoticed.

Princess Diana Memorial Walk.

We’d visited the other formal gardens on the last visit, so this time we set out in a new direction, down The Diana Princess of Wales Memorial Walk.

As quiet and peaceful as it was, everywhere you looked you’d see joggers, sunbathers, people enjoying family picnics and walking their dogs.

We reached the Long River and in addition to the beautiful swans, we had a great view of artist Henry Moore’s The Arch positioned on the north bank of the river.

Henry Moore’s ‘The Arch’.

 

We were soon following the Serpentine River, finding many people out boating and even swimming in a public recreation area.

Along the Serpentine River in Hyde Park.

 

Beautiful plantings throughout Hyde Park.

We had successfully walked the entire length of Hyde Park, reaching the Marble Arch. John Nash, designed the arch as the official state entrance to Buckingham Palace in 1827. The design was partially based on the Arc de Triomphe in Paris. After years of problems preventing it’s completion, it was finished quickly in time for Queen Victoria’s accession to the throne in 1937. But as Queen Victoria’s court and family quickly grew, it became necessary to build on to the palace, forcing the removal of the arch. It was moved to it’s current location at Cumberland Gate, the northeast corner of Hyde Park, completed in 1851.

 

The Marble Arch, originally the state entrance of Buckingham palace, moved in 1851.

If all we’d seen wasn’t enough, our day was just beginning, so to speak. It was just early afternoon and we still had two theatrical performances to attend.

School of Rock is a feel-good show for the entire family. A musical stage adaptation of the 2003 film, that starred Jack Black– it stays true to its source. (Michael and I actually just saw the movie again, shortly before our trip.) The show relies heavily on character stereotypes but that works well for this type of show.

This is an Andrew Lloyd Webber production and his theatrical roots have been based in shows with gimmicks.  School of Rock’s gimmick is that all the younger performers actually play their own instruments on stage– something the production doesn’t let you forget.

 

School of Rock, London.

 

We both really enjoyed it. It’s lively, uplifting– and just plain fun, with a positive message. It also made me ask the question again: Why are young British performers uniformly better than their American counterparts?

We had one of those frequent London come-and-go rains while we were in the matinee. The streets were wet and glistening as the sun quickly returned to brighten the afternoon. We headed over to Piccadilly Circus and picked up the tickets for our evening performance.

 

Piccadilly Circus after a short rain.

 

We decided not to eat until after the evening show and spent the little bit of time we had– people-watching and enjoying the street performers scattered around Piccadilly Circus. Michael became particularly captivated by one performer that required audience participation for his act. It was a pretty simple and clever concept– he stood frozen until someone dropped a coin or two in his box and then he would come to life, taking his benefactor and posing them in a variety of positions. He would then add himself to the ‘picture’ with some amusing results.

Here’s Michael becoming part of the act:

 

Michael gets into the act with a Piccadilly Circus performer.

 

The Comedy About A Bank Robbery. It’s hard for me to put into words how impressed I am by the creativity and ingenious work done by the Mischief Theatre Company. We saw and loved their production, The Play That Goes Wrong, last September and were excited to see what else they could do.

 

The Comedy About A Bank Robbery, London 2017.

 

Going in, I honestly didn’t think I could have been more impressed than I had been with their last one. Minutes after the lights dimmed, I was proven wrong. By the time we reached the interval (intermission), I had absolutely no idea how they were going to get back to the base premise of the show. Hysterically funny, brilliant and thoroughly entertaining!

If you love British farce, slapstick comedy and really creative word play. See this show!

 

Entering the Tube at Piccadilly Circus.

 

We’d walked over 8 miles today, enjoyed some of the best parks and shows London has to offer. We couldn’t have asked for a better day!

Travel Date:  May 14, 2017 Sunday (Day Two)

Travel 2017: Back ‘Home’ in London: Day One

According to schedule, we landed at Heathrow at 8:30 am and breezed through Customs/Immigration. We had arranged a car service to meet us and whisk us off to our London home away from home, the St. Pancras Renaissance Hotel. We loved it so much last September, we didn’t even have to think twice about staying here again. The added bonus (this trip) was that they have VIP service to walk you through customs and get you boarded on the EuroStar train we were taking to Paris at the end of our stay.

We pre-checked in and dropped our bags, then had a quick knosh in the Chambers Club before hitting the street for the day. (We knew ahead of time our room wouldn’t be ready.) With tickets to two shows, we figured we wouldn’t actually get into our room until late that night.

 

Looking out through the magnificent windows of St. Pancras.

 

We’d made a short list of things we wanted to see in London this trip. Since we were just here last September, we’d gotten the touristy- thing out of the way and felt no rush to cram in a bunch of sites. Plus, with our heavy show schedule, we figured we’d just try and do one thing a day and keep things simple and relaxed.

We didn’t get to spend any time in Trafalgar Square last trip, so that’s where we headed first. The large public area, formerly known as Charing Cross, was named after the 1805 Battle of Trafalgar and is anchored by the prominent Nelson’s Column surrounded by statues and fountains.

 

Trafalgar Square, bustling with activity even with the threat of rain.

 

The National Gallery is located on the square, but being a Saturday, the lines were quite long so we didn’t try to go in.

There were plenty of artists and street performers entertaining the large crowds of people enjoying the weekend. The wind started to pick up and dark clouds started rolling in suggesting we might be in for a downpour.

 

The National Gallery in Trafalgar Square.

 

A view of London (Big Ben in the background) from Trafalgar Square.

 

After a bit of people watching, we headed to the far end of the square, towards St. Martin in-the-Fields church and the National Portrait Gallery around the corner.

After watching The Crown recently, I found out the sketches for Graham Sutherland’s commissioned painting of Winston Churchill were on display at the National Portrait Gallery. (Churchill hated the painting, that was commissioned as gift to him– and his wife had the painting destroyed.) What I neglected to find out was the room in which they are displayed is closed for renovation. Maybe on a future visit.

 

The National Portrait Gallery.

 

After exploring the neighborhood a bit more, we returned to Trafalgar Square to relax, enjoying the sights and sounds of the city until we needed to head to our matinee show.

Half a Sixpence. Our first show was a matinee performance of the musical, Half A Sixpence. The romantic comedy was originally produced in 1963 (in London) starring Tommy Steele and moved to Broadway (with Steele) in 1965. I saw the 1967 film version many years ago and remembered it as being a lot of fun.

We weren’t disappointed. We both enjoyed this “poor man- inherits fortune- loses fortune- gets the girl” story, thanks to the energetic and extremely talented cast. Charlie Stemp would have made Tommy Steele proud. It was a great start to our London theatre experience.

Half A Sixpence at the Noel Coward Theatre.

 

The threat of rain gone, the dark clouds had been replaced with sun and beautiful blue skies. We ventured over near Buckingham Palace and revisited the Wellington Arch. It was nice to be able to take our time enjoying the nice spring weather, leisurely, making our way to the theatre nearby.

 

The Wellington Arch.

 

We had plenty of time for dinner after picking up our show tickets, so we chose to eat at The Other Naughty Piglet. The restaurant boasts a seasonal menu of small plate offerings. Let me just say– the food here is art. The ham croquettes were to die for! For a place that appears so casual and unpretentious– the food is a culinary masterpiece. I’m no foodie and I seldom write much about our meals. This should be an indication of how impressed I was.

Andrew Lloyd Webber’s theatre, The Other Palace. (Until recently, known as the St. James Theatre.)

Whisper House. Our evening performance was Duncan Sheik’s Whisper House at The Other Palace Theatre. Built where the Westminster Theatre stood until fire consumed it in 2002, it was  named the St. James Theatre when is opened in 2012.

Andrew Lloyd Webber acquired it in 2016 and it was renamed The Other Palace. There are two smaller theatres in the complex (a 312 seat main stage and 12o seat studio space) which is now dedicated to developing new works.

When I saw Whisper House would be playing, I had to see it. I’m a huge fan of Sheik and his musical, Spring Awakening. I’d say Whisper House is more a play with music than a true musical. It’s basically a ghost story that takes place in a haunted lighthouse during World War II. The show was originally workshopped in San Diego in 2010 and it was co-written by Kyle Jarrow.

 

The set of Duncan Sheik’s Whisper House, The Other Palace Theatre, London 2017.

 

It seemed promising at the beginning. Visually, the show was gorgeous. The opening number “It’s Better To Be Dead” is both haunting and glorious. Much of the music is really good– but at as the show progressed, it (the show) seemed to be troubled on a number of levels. The cast seemed to struggle with the material and the stage chemistry between the actors/characters wasn’t always evident. Initially, it appeared that only the ghost characters would be singing the musical numbers as a commentary– but then later it seemed to hinder the show’s progression.

Director Adam Lenson fails to make this production his own. During one song, for no apparent reason, the cast began to physically express themselves (individually) in a way that directly mimicked Spring Awakening. So much for originality. I also felt that overall, the intensity was lacking, causing the show to drag. I didn’t hate it– with work I think there’s some real promise in this piece.

It had been a long day.

We headed back to the hotel to complete check in, unpack and get some sleep. Our heads hadn’t hit pillows since Thursday night (in the U.S.) and I’m surprised we weren’t even more exhausted.

It had been a great first day of vacation. We’d walked over seven miles today, even with taking the Tube. We were ready for some solid rest.

 

Travel Date:  5/13/17 Saturday (Day One)

Travel 2017: An ‘Awkward’ Travel Day with United Airlines

The first half of the day couldn’t pass fast enough! We were both up early, last minute packing check, I took Belle and Dudley for their boarding/’vacation’ and Michael went in for a half day of work. We’d checked in with the airline and printed our boarding passes the night before.

We were ready.

Everything was on time and Peggy drove us to the airport late afternoon. We went to check our luggage and noticed right away our seats were changed. No big deal– but wait! We weren’t sitting together. Why did this change overnight?

The new seating arrangement was 2-1-2. I was now assigned on the left side, seated by a stranger and Michael was in the single center seat– in what appeared to be business class. Except, we had paid for first class.

It was a full flight and there was no way to change our seat assignments at the kiosk. We tried to get assistance but no one could explain what happened or knew how to fix it. We went ahead and checked our bags and went through security, hoping to fix the situation at the gate.

We have global entry and TSA Precheck…. advantages include: leaving shoes and belts on and you don’t have to take your computer/electronics out of your bag. Well, both of us set off the detector and were stopped for further screening. Michael just had to take off his shoes but I had to wait to be searched. Of course, no one was there to do this and there were five people ahead of me waiting. I went through the x-ray body scanner,  got the pat down and then the metal detector wand. It was showing something above my ankle. I had to remove one shoe — yet still it was detecting metal above my ankle– they checked again, then let me through.

We were headed to the desk at our gate when we saw a United Customer Service Center. No help. Beyond the fact that they changed planes, they couldn’t explain why we had been separated and they couldn’t fix it. Actually, after checking his computer and then several minutes on the phone, the rep gave us false information. He tried to claim we were still in first class (we were supposed to believe business class seats, randomly placed, were ‘first class’) and that this was one of the newly renovated planes (it wasn’t). He insisted there was no way we could be seated together.

I fired off a couple Tweets at United. I’d heard of people getting responses in the past so I thought it was worth a try.

No one was manning the desk at our gate yet, so we decided to go to United’s Polaris lounge. They let us in but told us they were full and there would likely be no open seating for at least 40 minutes. The regular United lounge in the terminal was closed and they were apparently letting everyone (‘eligible’) use this lounge instead.

So far, this wasn’t going well.

Luckily, we didn’t wait long before we were able to grab a couple seats. In less than 30 minutes, the lounge was nearly empty. Michael and I discussed our frustration about the flight and I expressed the fact that there was no way I was going to be able to do any sleeping right next to a stranger. An eight and a half hour flight can feel monotonous enough without making it any more uncomfortable.

By the time we were boarding, a United Representative was waiting for us and said they’d try to get someone to move so we could be seated together. We also wanted to know why we being told first class was the same as business (it isn’t). The Rep was very nice, apologetic and said he’d see what he could do.

 

On the plane, we were able to switch seats and sit together. The Rep checked on us again and confirmed that they had switched our flight from a three class (first, business, economy) to a two class (business, economy) plane. He also apologized for us being given false information regarding the change and said he’d make sure it was addressed. We were now owed a substantial refund.

What makes me really aggravated about this is that 1) we booked this flight months ago; 2) the plane change should have happened before check in; 3) a misinformed customer service rep chose to give us false information as opposed to saying he didn’t have an answer. Thankfully, the customer service rep at the gate was honest and extremely attentive. I felt he did everything he could at that moment to rectify the situation and make us feel like we (the customers) were important (to the company).

Why am I sharing this? Because our experience might help someone else in a similar situation. I think it’s important to try and handle things in the appropriate way. We could have a) taken out our frustration on reps in a rude manner (when it wasn’t their fault); or b) not said anything, letting it fester and put a damper on the the beginning of our adventure. Neither would have resulted in a happy outcome.

United should have been proactive. With the plane change, they should have seated us together and informed us of the change when we checked our bags. They also should have automatically refunded us the difference in the price between first class and business class tickets. Had this been done, the confusion would have been eliminated and we would not have been left to try and figure out what happened ourselves.

The flight itself was pretty uneventful. I watched the movie Allied and was able to get a few hours sleep before we landed.

By the time we reached London, we felt relaxed and were able to put the rocky start behind us.

Now, as long as United issues a refund for the difference in ticket price, I think we’ll be satisfied with the outcome.

 

Travel Date: May 12, 2017

Travel 2017: An American in Europe

Académie de musique de Paris.

What an adventure!

It’s hard to believe it’s over. A year of planning, researching, and of course, the hardest part– counting down the days. Before you know it– it’s come and gone.

Four days after returning home and I’m a bit jet lagged, my senses are still a little overwhelmed; but most of all, I’m happily content with having completed another whirlwind adventure.

The Basilica in Lyon, France.

In nineteen days, Michael and I managed to visit 16 cities in 3 countries, halfway around the world. We walked over 124 miles, sailed some of Europe’s most famous rivers, experienced the speed of the EuroRail and saw first hand, many historical landmarks that many Americans have only read about in books.

I thought I’d lead off my day-to-day blogging of our adventure with a brief overview.

What can you expect to glean from our adventures? Aside from our personal impressions of the experience itself– I might be able to dispel some of the myths, mysteries and misconceptions about travel and the places we visited.

What do Europeans think of America? Are Parisians really rude? How easy is it to get around a foreign city? How different is the European culture from that in America? What’s different about a river cruise compared with an ocean excursion? Are travel and sightseeing difficult abroad?

Visiting the windmills in Zaanse Schans, Netherlands.

I invite you to join us as we explore London, Paris, Amsterdam and many places in between.

Tours and exploring on our own… food and wine… museums and parks… transportation… the locals… so much to see and do.

You might pick up some travel tips or benefit from our experiences. You might enjoy just going along for the ride. Curious?

Travel with us.

 

A view of London from Trafalgar Square.

 

London, Paris, Amsterdam and Broadway on the Rhone

It’s hard to believe this day is finally here! We started planning this trip in February 2016 when Playbill Travel announced their inaugural river cruise. This will be our first as well, while it’s our fourth vacation built around a Playbill Broadway Cruise. This ship, Uniworld’s S.S. Catherine,  holds about half the passengers of the Broadway at Sea cruises from the past few years. This cruise actually sold out before it could go on sale to the public.

We weighed some options and building around the cruise, we came up with a pretty exciting trip. Nineteen days in Europe, start to finish. We start with five days in London, then take the Eurostar train to Paris for three days, followed by the Broadway on the Rhone River Cruise and finally three days in Amsterdam before flying home.

So here’s a quick preview of our trip:

London

Having just visited last September, we saw many of the historical places of interest and found how easy it was to get around using the Tube. This time we’re seeing nine shows (yes, nine shows in 5 days) in the West End. We’re staying at the incredibly beautiful, St. Pancras Renaissance Hotel again which connects directly to the Eurostar at St. Pancras International. When we’re not in the theatre, we hope to visit a few of the museums and places we didn’t have time to get to on our last trip.

Paris

Our first time. So many things we’d like to see and do– but we’re keeping our options open so we can focus on enjoying the ambience of the city. Hotel Scribe will be our home base for a few days. We’re definitely making a trip to Versailles, must see the Eiffel Tower and Notre Dame, we’re seeing the show at Paradis Latin and have a short champagne cruise through Paris on the Seine. I’m really hoping to spend time in the Montmartre district and make a quick visit to the island of Grand Jatte. We’ll probably skip the museums this time and have to plan a longer stay in the future to experience more of what Paris has to offer.

Broadway on the Rhone

Sponsored by Playbill Travel, this Rhone river cruise starts in the south of France and visits: Avignon, Arles, Tarascon, Viviers, Tournon/Tain L’Hermitage, Macon and Lyon. World renowned sommelier Jean-Luc le Du will be on board, sharing his love and knowledge of the wines, cheese and chocolates of the region. Evenings will feature entertainment by Broadway veterans Rebecca Luker, Paulo Szot, Liz Callaway and James Barbour, accompanied by Grammy and Emmy Award winning Music Director, John McDaniel.

Amsterdam

At the top of my bucket list of places to visit has always been the Anne Frank House in Amsterdam. We’ve already booked our tickets. We also booked a half day trip to Zaanse Schans, Voldendam and Marken in the Dutch countryside. Windmills anyone? There are also several museums and a canal cruise we hope to enjoy, not to mention the necessary stroll through the infamous red light district,  known around the world. I think we’re too late for tulips but you never know!

 

I’ll be posting what I can, when I can on social media as well as blog posts of our daily activities– though they may be posted later, depending on time and Internet availability. I hope some of you will follow along– join us on our journey!