NetChallenge
Where’s the Art in Elgin?
I’ve lived in Elgin for over 15 years and have a working history with Elgin arts organizations that goes back over 23 years. I can attest that not much has changed in a quarter of a century. Groups and artists come and go, leaving what has always been a small, typical community arts base. Pretty much what you’d expect to find in most communities this size, anywhere in America.
Imagine my amusement while watching a broadcast of a city council meeting, as a speaker made a statement to the council that went something like this:
Elgin has the best, vibrant, world-class arts community outside of Chicago and possible New York. Everyone knows our reputation.
I’m paraphrasing but you get the idea.
I laughed out loud.
I don’t want to belittle the talent and creativity or the blood, sweat and tears of Elgin artists. I just want to draw attention to some of the misperceptions of what the arts community really is, in relation to other communities. It’s wonderful to be proud of your community– and it’s a totally different thing to be completely unrealistic.
I’d say Naperville has an up and coming arts scene… Oak Park’s art scene is pretty impressive…. but Elgin?
Maybe there’s just something I’m missing here.
Where is the ART in Elgin?
If I live here and I don’t know about it– That’s a problem. If I look for it and still can’t find it– That’s a bigger problem.
Visibility I looked at the city calendar. If I go by what’s listed, there isn’t much happening in Elgin for the next six months.
Calendar Check:
Elgin Art Showcase Calendar & Special Events– Lists no art related events for at least the first six months of 2015. This calendar is an offshoot of the main city calendar. There is a link on the Art Showcase main page to upcoming performances which only includes a prayer breakfast in January.
City of Elgin Calendar– Includes Holidays, Board and Committee Meetings and ‘all’ city- wide events; Aside from the Winter Blues Bash at Hemmens this weekend, the calendar only lists Elgin Symphony Orchestra performances on it’s calendar. Coincidentally, the ESO owes the city hundreds of thousands of dollars in loans on top of ongoing city backed financial support.
The Hemmens calendar and Art Showcase calendar are (perhaps unfortunately), a subset of the city calendar.
Downtown Neighborhood Association – No events are listed on the DNA calendar for the first six months of 2015 except : (pre-populated) First Friday Improv at Hemmens (listed every month). Their website shows past events but is not promoting any upcoming events in 2015.
With no luck finding art on the city sponsored sites and as someone that doesn’t subscribe to a printed newspaper any more (Does anyone?) –I turned to the only other place I knew to look…
Google Anyone? Google searches aren’t terribly revealing either. I searched live entertainment in Elgin and live entertainment in Elgin, IL and only a few bar bands popped up. I did learn that several Elgin eating establishments offer occasional musical entertainment. Art in Elgin, IL brings up a couple links to gallery/performance spaces but mostly martial arts studio links. Top searches for Fine arts in elgin il bring up Westminster Christian School first, the Art Center at Elgin Community College (ECC), Larkin High School, and lots of links to groups in St. Charles and Naperville.
A search for music in Elgin IL lists mostly repeated bar links, music lessons and finally, halfway down the second page the Elgin Symphony Orchestra. Searching for theatre in Elgin IL ( and theater) is a little more successful: Elgin Theatre Company, Children’s Theatre of Elgin, Janus Theatre (site not updated since June 2014), ECC, Side Street Studio Arts, and the Marcus Cinema movie theater come up before many links to other communities outside of Elgin.
Now here’s probably the most important: I searched art in Chicago suburbs, art in Chicago Northwest suburbs, theatre (theater) in Chicago suburbs, music in Chicago suburbs, dance in Chicago suburbs, things to do in Chicago northwest suburbs…. going 5 pages deep on each search, only one Elgin-related link came up and only in one of the searches.
This is distressing because Elgin needs to bring in people from other communities for economical success.
Facebook or Twitter? I follow a number of organizations, city pages and Twitter feeds and the use of social media by Elgin arts groups is pretty unsuccessful. Of those that use it, none seem to be aggressively targeting audiences, if at all.
Appearance is Everything. I searched for and checked out the websites of a number of Elgin groups and most of the websites are pretty unappealing.Some aren’t even up to date. Many look like no effort was put into them and do a poor job of marketing their art.
The best looking website belongs to Side Street Studio Arts. It’s visual, informative and features an up to date listing of events.
There are a ton of events listed on the Art Center at Elgin Community College link– but it still takes some navigating to find, the pages are not visually appealing. The descriptions of the events are minimal and not very enticing as well.
Snail Mail? We get a periodic newsletter, from the City of Elgin, sent to all residents. They do a good job of publicizing their seasonal festivals in it– but not other arts events. We also get a postcard publicizing upcoming events from one group. That’s about it for snail mail.
City Representation? The Elgin Cultural Arts Commission exists primarily as an advisory committee. They accept applications for artist and organizational grants and make their recommendations.
One of their purposes states:
Provide a vehicle for publicizing all arts related events of various organizations as well as community, state or national events related to the arts, and provide a strong public relations program for communicating the commission’s goals and their impact on community life.
In my research, I cannot find any evidence that they are having any success in this very important area. I can’t even find a list of arts organizations in Elgin. Shouldn’t that be a priority?
According to their last publicly available meeting minutes, from last November (2014); they are looking at creating a stand alone website, separate from the city’s where they could provide more information and links. This would definitely be beneficial. Especially if it gave them control over content.
So WHAT’S the SOLUTION? First, I don’t mean to sound like I’m solely blaming the city for the lack of visibility. BUT– This is a symptom of a major problem in Elgin. The downtown area is dead. Yes, new businesses have opened… and many have also quickly closed. Not enough is being done to revitalize the downtown area. Token efforts are made like the River Walk redevelopment and the huge financial investment the city made in the Elgin Artspace Lofts — but without any big picture, comprehensive plan– stand alone efforts are not going to bring back a prosperous downtown.
One park, business, or space is not a community. The city should really look at building a niche market and focus on nurturing businesses and spaces with open public access. Investing in one thing without a comprehensive plan for the community is not going to make a difference.
I state this, because the arts community, if visible, can have a huge economic impact on the city. There are a few restaurants in the downtown area but all don’t keep regular hours. At five o’clock, most of downtown– shuts down. It leaves a dark, seemingly unsafe neighborhood.
If someone comes to an event downtown, they might also eat in a restaurant. They might shop in a store. These places have to exist, first. Second, people need to know they exist. Third, patrons need to feel safe in the neighborhood. Without all three of these conditions, the downtown will continue to flounder.
I don’t mean to limit the focus on downtown. It’s just that it’s supposed to be the hub of activity. There are arts opportunities all over the city– at least so I’m told. I might know for sure if I could find them.
I just looked at a Courier News article, online titled, Five Things To Do Around Elgin Jan. 16-22 and not one them listed, is in Elgin.
So tell me–
WHERE IS THE ART?
Remembering Roxie: One Year Later
Roxie loved lying outside on the cool concrete. (2005)
Roxie the Hunter. (2003)
One year gone. I can’t even begin to recount the many ways I miss her. She’s been in my head constantly this past week. I celebrate her daily. She was one of the greatest gifts in my life.
Even as a puppy, Roxie had the most expressive eyes. There’s truth in the saying, the eyes are the window to the soul. Her eyes were always full of love, mischief and wonder.
January 11, 2014 – Michael left for work and I’m sitting here in silence feeling numb but thankful. It’s been three days.
My boys are curled up, Collins in the crook of my arm, eyes half closed– purring. Cash is snuggled against me with his head in my lap. I think he slept like I did last night, tossing and turning. The slightest sound and he’d raise his head– looking for her.
Roxie on Cash, Snuggling as usual. (2006)
Roxie and Cash were brother and sister from the same litter. Roxie was the runt of the litter which might have contributed to a number of her health issues over the years. She was always much smaller than Cash and never really had the traditional Boxer’s physique.
Roxie was the hunter. If there was a critter in the yard– she’d find it. Roxie would track them down and alert Cash, who would go in for the attack.
This was particularly troublesome with skunks. Roxie usually found them– but Cash always got the worst of the spray.
Roxie was the one who found and rescued Cozette, as a newborn kitten, in our backyard.
I also think she instigated most of the duos adventures, getting them into trouble. She was just better at not getting caught.
Roxie and Cash play-fighting in the snow. (2004)
Roxie loved the snow. She loved to run and play in it; and of course, eat it.
She loved to eat! She was always hungry– Furniture, toys, books, Christmas ornaments, pillows, sticks…. it was all a buffet to her.
September 17, 2014 – A stuffed monkey head. What’s the big deal? It’s just a chewed up monke– Scratch that. Her monkey head. I found myself going through the toy box cleaning it up, time to throw out some of the old. worn out toys. Another step in letting go.
Roxie, May 2013.
As time passes I see her so differently in my head. The image of her spirit and soul take over and blur my memory. I see the younger, more vibrant Roxie. I see her love and affection. My mind has started to erase her frailties. It’s startling to see pictures of her from her last few months. It’s not the way I remember her.
December 18, 2014 – That moment when you’re decorating and you go to hang an ornament… And it spins around and you see where Roxie chewed it, her last Christmas and the waterfall starts and doesn’t want to stop. #loveneverdies
No matter what the challenge– even after she was diagnosed with diabetes insipidus, she was always happy and affectionate. Though her body started to age rapidly, she remained a spirited puppy at heart.
Today, in remembrance, I want to put the grief aside and celebrate the pure joy she brought to our lives. I’m remembering her playful mischief. I’m smiling, remembering her crazy excitement, twisting her body– doing her kidney bean dance, whenever we’d come home. I’m thinking about hours of warm snuggles and wet sloppy kisses. My sweet, sweet, angel- baby girl.
Roxie, November 2013.
Napping with a much younger Roxie, 2003.
My Top Three Favorite Musicals: Stage to Screen
With the recent release of the film version of Into the Woods, I thought it might be fun to share my top three favorite film versions of musicals that originated on the stage.
A number of adapted musicals have enjoyed big box office success and some are quite good; both for their stand alone entertainment value and in their homage to their source material. My Fair Lady and Grease are two good examples.
For me, there are three that stand above the rest for a variety of reasons. In two of the three cases, I think the film adaptations are actually better than the original stage versions.
Dreamgirls (2006) Directed by Bill Condon and adapted from the Tony Award-winning original 1981 Broadway musical directed and choreographed by Michael Bennett. Dreamgirls was nominated for 8 Academy Awards, winning two Oscars: Sound Mixing and Best Supporting Actress for Jennifer Hudson.
Suggested by the rise of The Supremes, Dreamgirls is an exuberant tribute to the sights and sounds of the 50’s & 60’s.
Dreamgirls (2006)
I find the film version superior to the stage production because of the visual, on location advantages and smoother scene/time transitions. The screenplay (by Condon) stays true to the original.
Chicago (2002) Directed by Rob Marshall (Into the Woods). Screenplay by Bill Condon (Dreamgirls). Based on the 1975 Bob Fosse, Kander & Ebb musical, whose stripped-down 1996 revival, far exceeded the success of the original. Still running on Broadway after 18 years.
Chicago (2002)
I’m not a fan of the stage version. I find it drab and dull. On screen though, Chicago is an exciting, vibrant song and dance masterpiece. By far, the best example of a film adaptation being much better than the original.
West Side Story (1961) Based on the classic 1957 stage musical, the film is a true representation of the original stage material and by far, my favorite movie musical of all time.
West Side Story is a contemporary re-telling of the Romeo and Juliet love story, told against the backdrop of the gang-controlled streets of New York.
Ground breaking in so many ways with some of the best choreography ever created, West Side Story is perfection.
West Side Story (1961)
The result was honored with a record 10 Academy Awards– the most of any other movie musical and the fourth biggest winner, overall in Oscar history.
I’ve loved West Side Story since I was a kid. When I finally saw it live on stage for the first time, I was completely blown away. It’s one of the few works that I wouldn’t say one version is better than the other. The film and stage versions are equally brilliant.
I’m always shocked when someone says they’ve never seen West Side Story. If you’ve honestly never seen it. Put it on the top of your list now.
My Epiphany
In the wee hours of Thanksgiving morning I had an epiphany. It wasn’t a new thought. It was so obvious and had been in my head for a while. Sometimes though, a clear realization suddenly hits you like a ton of bricks. I waited before I shared because I felt like I needed to let a few things play out first.
No more theatre.
Let me explain.
In addition to trying to find gainful employment in the industry for the past year and a half, I had spent nearly six months of the past year, working on a plan to produce my own season of five shows– that was to begin the end of January 2015. After waiting for months, I’d finally received dates but by then it was too late to market, sell and produce a theatre subscription series effectively and be ready to open by the first set of dates. I could have still thrown something together for the first show– but with no assurance of an audience. I’m not in the financial situation to do anything that is a likely, losing proposition nor do I want to. (There were more “complications” that I’ll go into in another blog post.) So, I felt I’d reached another dead end.
My epiphany was quite simple. I’ve come to the realization I don’t need to do another production. I want to– but want and need are two totally different things.
If I never have the opportunity to work on another show– I’ve done pretty much every thing in every area of theatre that anyone can possibly do. With over 30 years and more than 200 productions under my belt; including the production of my top two bucket list shows– I think I can say, I’ve pretty much done it all.
Don’t get me wrong, I have not lost an ounce of my passion or creative drive for live theatre. I just feel I’ve come to a point that it’s time to let it go. If opportunities come up– great. If they don’t, I’m okay with that too. I’m not going to obsess over it anymore.
I don’t really want to work on vanity productions… work for less than I’m worth without substantial creative rewards… or donate my time to efforts where my passion and commitment is greater than that of anyone else involved.
My last production, Spring Awakening, was a thoroughly rewarding experience. Maybe that’s the best way to go out.
After a year and half, the job search– inquiries, applications, interviews have been a huge disappointment. Especially when I see so many of the people being hired are younger, inexperienced and/or friends of somebody making the hiring decisions. I’ve watched a number of the positions for which I applied and was past over, be reposted a short time later. I’ve watched organizations hire the wrong people and a short time later– they are looking for a bail out. Other positions, particularly those a substantial distance away, don’t pay well enough to make the commute worthwhile or only offer poverty level wages for exempt, full time hours.
I’ve also noticed a large number of organizations are only seeking part time without benefits but with full time expectations; or unpaid interns to fill what should be full time paid positions. I understand for many organizations, this is their only choice, or final attempt, to stay afloat. Quite a few long-standing organizations are on the edge of financial collapse and a number have shut their doors in the past few years. Many arts organizations are struggling to survive. What they really need is someone like me, with the experience and background to help them stabilize their company and infuse their efforts with new growth.
Office politics and financial instability are killing many fine arts institutions. That, and poor leadership without vision.
So I’m going to stop frustrating myself in the search and instead, focus on being productive through other facets of my creativity.
Less looking and more doing.
I know the right situation is out there, whether it’s yet to be discovered or I create it myself. The time for me to act is now. I’m really tired of waiting.
Maybe that right management or creative theatrical position will turn up. Who knows? I’m not going to wait for it though.
It’s a new year. So, on to new challenges, new adventures and new discoveries.
Writing, photography, design… creative management, consulting, branding, marketing… who knows where I’ll end up. I have more creative interests and talents than I have time to pursue. Maybe pursuing one of my often overlooked interests will leading be in an entirely different direction.
Wherever it is, I’m sure the journey through 2015 will be an exciting one.
Why I Liked But Didn’t Love The INTO THE WOODS Movie
The good news is that Into the Woods was the second highest grossing film on Christmas Day and it finished third overall for the weekend.
The bad news is that I didn’t love it.
Let me compare Into the Woods to a piece of chocolate cake. Right off, you may either love or hate it because you might like or dislike chocolate, cake, or both. If you’ve never had chocolate cake before– this may be the most delicious thing you ever tasted. If you like chocolate cake– this may be satisfying; but if you love chocolate cake, this may be underwhelming or a complete disappointment. There are still others that will find– good or bad, dry or moist– they are just grateful to have a slice of cake.
For me, this version of ITW is missing key ingredients. Or to draw from the script– the potion is missing it’s hair as yellow as corn. It didn’t work for me.
The original Into the Woods clearly explores the price that comes with wishes, what is really happily ever after; and the importance of teaching children, wishes as children and the hope that exists in children themselves. Much of this is lost or brushed aside in the film. Instead of a film using fairy tales to tell a bigger story, it’s just a film telling fairy tales with a slightly different ending.
The movie is beautifully filmed and features an outstanding cast. BUT– I found it visually too dark; and with the major plot changes, I was never drawn in or emotional involved.
I have some pretty strong opinions about this particular film because I’ve had a long personal attachment to the stage version of Into the Woods.
Poster for the original Broadway production of Into the Woods.
I saw the original 1987 Broadway production– twice, the 1988 first national tour, worked the theater where the second national tour began in Chicago (non-equity), saw the 2002 Broadway revival, designed the set and costumes for a local high school production; and have seen literally dozens of professional and amateur productions over the years.
The stage version of Into the Woods is visually a combination of light (colorful) and dark images, where the movie was visually dark from start to finish. The village and castle scenes in the movie all had a dingy, dirty feel as opposed to embodying color, light or any fairy tale magic. Emotionally, the movie is pretty much gray from start to finish. I didn’t feel the passion of the dreams and wishes from the major characters; which is problematic because it leaves no real reason for them to go into the woods to begin with. We never truly see even a glimpse of the happy ever after they are so desperate to achieve.
Even in the worst productions I’ve seen, no matter how badly acted or staged– I’ve always been moved by No One Is Alone. Except in the film. To borrow from another musical, I felt nothing.
Some might feel that it is to Disney and director Rob Marshall’s credit that they didn’t Disneyfy the look of the film. I see it as a missed opportunity to enhance the story. I really would have appreciated seeing some of the beauty and opulence of the castle, for example. Instead, it was dark and drab, as was the brief wedding imagery.
In adapting for the film, the writers chose to edit and whitewash the deeper, meaningful moments of the story. Combining that with the lack of passion, it left very little to get emotionally involved in.
Without Rapunzel’s demise, we lose the witch’s profound grief that propels her into a frenzied Last Midnight. Without a larger presence of the Baker’s Father (Mysterious Man, or not) and the cut song No More, we lose what is the cathartic moment that leads to the Baker’s return to his new family. As a result, the intensity and the pure, desperate passion is lost from characters’ motivations.
One of the early moments in the film set the tone for me. Jack’s Mother, played by the incredible Tracey Ullman, was directed to be purely a serviceable character on screen. (In the stage version, she is a warm, witty and lovable character.) I believe this was done to lessen the audiences’ attachment and thus, later in the film: the reaction to her death; which also seemed somewhat muddled. Jack didn’t seem terribly upset when he found out his mother was gone, nor did Little Red over her Granny. (And did it bother anyone else that Little Red suddenly looked like Dorothy in the Wizard of Oz for the remainder of the picture?)
Cast of Disney’s film, Into the Woods.
The character of the Witch and Meryl Streep’s performance have to be looked at separately. First, I didn’t feel like the other characters really feared the Witch and her power as much as they saw her as a means to get what they wanted, or as an obstacle in doing so. Second, since the film chose to let Rapunzel ride off with the Prince, future unknown– instead of becoming a victim of the giant; it lessened the Witch’s loss. These two points affect the whole dynamic of the Witch’s antagonistic role in the story, as well as her motivations.
Meryl Streep, easily the greatest American actress of our time, fully embodied what the film set out to portray. Though I hoped for a much more powerful performance, Streep filled the bill the way the story has been adapted, perfectly. One thing I noticed, having listened to the soundtrack since; you don’t really grasp the incredible technique and emotion Streep brought to the character– vocally, in one viewing in a theater. Meryl Streep doesn’t just sing musical roles– her vocalization is a well-crafted extension of her character’s development and expression. Every word, phrase and guttural sound is perfection.
I liked the introduction of the blue moon to the story, opposed to just the passing midnights of the stage version. I thought it gave a clearer understanding of why the spell had to be broken now.
For me, the best and only perfect moment in the film was Agony. It was beautifully acted and staged. If the entire film had this energy and attention to detail, it could have been the best stage musical-to-film ever made.
Composer/Lyricist Stephen Sondheim.
I remember thinking about two-thirds of the way through: Where is all the music? A substantial amount was cut and occasionally reduced to underscoring. This is composer Stephen Sondheim’s baby. Though he and original book writer James Lapine were actively involved in the film, I feel they caved in to the studio pressures, too much, just to get this film made.
From all that I read leading up to the film’s release, Disney was concerned about the original version being too dark (plot-wise), too many main character deaths and wanted to make it more family-friendly. The result is a watered down story that still, in my opinion, is not a family movie.
Into the Woods, on screen, felt like it was too long. This is ironic since it was 20 minutes shorter than the stage version, not including an intermission. It was more than a little slow and disjointed at times.
I’m sure people completely unfamiliar with ITW will have a completely different reaction to the film. And that’s okay. I just hope it’s a positive experience. The very best thing that could come out of the film is that it might encourage a new audience for the stage version. The film versions of other more recent movie musicals have done a great service to building and keeping audience interest in live theatre.
I can only hope that this film will contribute to that trend.
My 2014 Blogging Year in review
The WordPress.com stats helper monkeys prepared a 2014 annual report for this blog.
Here’s an excerpt:
The concert hall at the Sydney Opera House holds 2,700 people. This blog was viewed about 8,700 times in 2014. If it were a concert at Sydney Opera House, it would take about 3 sold-out performances for that many people to see it.
Beautiful Christmas: What It Means To Me
Christmas Eve Today
It was hot and uncomfortable where we sat, in folding chairs, on a dimly lit stage. We were all turned upstage, facing an old, out-of-tune piano. Our music teacher, Mrs. Blanchard, came in– carrying her usual load of music and instruments. She was followed by the scent of her trademark perfume, Tabu– choking us all, within minutes of her arrival.
She asked one of my classmates to help pass out the freshly mimeographed copies of the Christmas medley she’d put together for us to perform at our Christmas concert, in just a few weeks. Us, sing? In a concert? We were quite a motley crew. While most of us tried to sing, my friend Alex was busy trying to distract everyone. Always the class clown.
Mrs. Blanchard would try to ignore him. Often she’d grab him by the ear or the arm and make him sit on the bench next to her– which usually only made things worse.
She’d give him the evil eye and turn her back to us, facing the piano. Her long, manicured nails would click and clack on the keys of the piano as she would bang out the notes, trying to teach us harmony:
Spinning the dial from station to station,
We hear Christmas songs old,
And some that are new…
Mrs. Blanchard, would stop and look at us, usually grimacing; her painted on eyebrows raised. It was a look that put fear into us. A look, that would sometimes melt into a smile, sending audible sighs of relief around the room. At times, she reminded us of the witch in the Wizard of Oz; but we loved her and wanted to please her.
Somehow, we did managed to put on a Christmas concert that year. I played the drum for The Little Drummer Boy. And it was magical.
This picture says it all. (And I used to be cute.)
One year– I think it was kindergarten, I was a toy soldier. Years later, I played Joseph in the nativity. Christmas concerts, church cantatas and pageants were a big part of my growing up.
I can still remember believing in Santa and the anticipation of gifts on Christmas morning. I remember my sister and I sneaking into my parents’ closet— trying to steal a peak at our hidden gifts.
But, what I remember most about Christmas— was the lights. I still have vivid memories of seeing the amazing Christmas lights and giant Christmas cards that surrounded the Indiana War Memorial Plaza, in the heart of Indianapolis, with my parents.
I remember riding in the car, either coming home from Christmas shopping or visiting relatives– trying to look out the window and see all the Christmas lights along the way.
I remember pulling out boxes of old Christmas decorations with my Dad and spending hours— trying to untangle lights and replace burned out bulbs.
As a child, snow and Christmas lights were magic to me.
So there should be little wonder as to why I decorate as much as I do today.
Christmas is magical.
It’s the one time of year that it’s okay for us all to be kids again.
My wonderful Grandma.
Every Christmas I feel especially close to my Grandmother, who passed away when I was a senior in college. She taught me so many things without really intending to, I imagine. She brought out a lot of my creativity through the many hours we spent baking and crafting together when I was young. My grandparents weren’t rich— but the Christmases we shared with them were always magical.
My parents were always careful to balance all the different aspects of the holidays, careful to keep the emphasis on the real reason for the season. We didn’t have a lot growing up– but we had everything.
To me, more than anything, Christmas is a feeling. Sometimes I feel it in my heart and sometimes in my gut. Sometimes it’s magical and sometimes it’s bittersweet. It’s a time to look ahead– and a time of remembrance.
My sister and I re-enacting the Nativity.
Christmas is a time of wonder and awe– that the birth of an innocent child so many centuries ago, could ignite generation after generation with promise– and lead the world on a journey towards the eternal search for light and truth. The miracle of birth and rebirth.
Christmas is the time for us all to take a step back and view the world through the eyes and heart of a child. The eyes of innocence. The heart that can still believe. Where a world can still be guided by love and peace. A world where there is still hope. A world full of magic. A world where dreams and miracle can come true.
Christmas really is for children.
May this Christmas reawaken the child in all of us.
Beautiful Christmas: 321 Division Street – A Peek Inside
As promised, here are a few Christmas pictures inside our house. We’re currently celebrating the house’s 125th Anniversary.
I finally finished my Department 56 Christmas in the City village yesterday even though it was the first thing I started back in November. There are approximately 80 houses and 200 accessories.
I tried to include a variety of pictures featuring some of our 12 indoor trees.
A view of the basement man cave.
A corner of our kitchen.
The Foyer from the front door.
The Department 56, Christmas in the City village.
Looking up at the Foyer Christmas Tree.
The Foyer Christmas tree from the second floor.
The dining room, originally the second or family parlor.
The front parlor.
The front parlor during the day.
Front Parlor- Night view.
Smaller Foyer tree by the front door.
Mercury Glass Ornaments in the front Parlor.
Cherubs on the Foyer tree.
Mantle decor.
Beautiful Christmas: 321 Division Street – A Look Outside
The front gate at 321 Division Street, December 2014.
It’s the 125th Christmas here at 321 Division Street and no snow… yet. With Christmas only a few days away, I wanted to post some pictures to help you get in the holiday spirit.
Here’s what the house looks like on the outside, tomorrow I’ll share some pictures from the inside.
Just before sunset.
Front entrance before sunset.
321 Division Street, from the front corner.
Christmas at 321 Division Street.
Wreath above the main entrance.
Garland and red bow drape the wrought iron fence surrounding the house.
Colorful star in the side yard.
The porte cochere from the back.
Trees in the yard from the front porch.
A view of the house from across the street.
Color changing lollipops line the front walk.
Trumpeting Angel.
Window view.
Large LED snowflake in the dining room window.
Glimpse inside from the porch.
Front porch from the side.
Savory Sweets for the Season
My first day of holiday baking. I wanted to share my new versions of a couple of favorites. Both are super easy to make.
Cranberry-Cashew Shortbread Cookies
Cranberry-Cashew Shortbread Cookies
Makes about 2 dozen medium-sized cookies.
Here’s a recipe I adapted that is quite easy and decadent. It has a rich, refined taste that isn’t overly sweet. It makes a perfect dough for cookie cutters too.
Preheat oven to 350 degrees. Cut parchment paper to fit two large cookie sheets.
Ingredients
2 cups flour, sifted
2 sticks salted butter, softened
1/2 cup powdered sugar
1 teaspoon pure vanilla extract
1/4 cup finely chopped dried cranberries
1/4 cup finely chopped cashews
Using a mixer, cream together the butter and sugar, then add vanilla. Add the sifted flour a little at a time until completely blended. Last, add the finely chopped cranberries and cashews. Remove from mixer and form into a ball and refrigerate for 20-30 minutes. This helps to firm the dough for rolling and cutting into shapes.
Note: It’s important that your dried cranberries and cashews are chopped up fine so that the pieces don’t hinder your ability to cut cookies into shapes.
Take the chilled dough and place on a large sheet of parchment paper and flatten a bit with the palm of your hand. Place another sheet of parchment on top on the dough and roll out until about a quarter-inch thick.
Note: Using parchment paper is an easy mess-free alternative to rolling on a lightly floured surface. It also keeps the cookie dough from becoming too dry.
Use a flour-coated cookie cutter to cut shapes, placing them on the prepared cookie sheet. After first shapes are cut, re-form the excess dough in a ball, flatten, roll and cut more shapes, repeat until dough is used up.
Note: You can also make the dough ahead of time and keep it in the refrigerator until about 30 minutes before you’re ready to shape and bake.
Bake about ten minutes. Or only until the edges show slight signs of browning.
Let cool and enjoy!
Chocolate Peanut Clusters
Chocolate Peanut Clusters
Makes approximately 100 cluster pieces.
This recipe is a variation of the crock pot candy recipe that has been circulating. It’s really easy to make and highly addictive! The perfect treat for all those chocolate-peanut butter fanatics.
Set up your crock pot and set on low heat. Roll out parchment paper on your counter or on cookie sheets.
Ingredients
2 pounds white almond bark or Vanilla CandiQuik
1 package of milk chocolate chips (approx. 12 ounces)
1 package of semisweet chocolate chips (approx. 12 ounces)
32 ounces of dry roasted peanuts
1 package of peanut butter chips (like Reeses’ Baking Chips) added last
Dump all the ingredients except the peanut butter chips into the crock pot and let cook (melt) for about an hour without stirring. After an hour, stir briefly, to combine– every 10-15 minutes for about another hour. Turn off the crock pot and just before you are ready to spoon out the clusters, add the bag of peanut butter chips and stir just enough to combine without completely melting the peanut butter chips. Don’t over stir at this point.
Drop spoonfuls on to the parchment, smaller or larger depending on the size you prefer. Let cool completely (to prevent sticking) before storing in a closed container.
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