jlinamen1229
I wasn’t going to write a September 11th blog post today. I’ve written several already, along with posts on the National September 11th Memorial and Museum. No, today, after changing my Facebook cover photo, posting my favorite Memorial picture on Instagram and watching the coverage in New York and Washington; I had intended to remember privately.
I also wasn’t going to write about something else (directly connected) that has really bothered me for quite some time.
Such is life– things changed. So here I sit and write.
In the past, most of my posts have been structured with a specific point. This one is going to be a little more free-thought.
A few hours ago I was scrolling through Facebook and saw I was tagged in a post from a former student, then a post from another student and one from a teacher-friend. Plans changed.
When I was working at Bartlett High School, I wrote a play called, September’s Heroes; an ensemble, multimedia production; performed in honor of the tenth anniversary of the 9/11 attacks. I’ve been stalling getting it published because I felt it still needed some work. In any case, had things gone the way I planned, September’s Heroes should have been on stage tonight. (I’ll get back to that later.)
Three Posts On Facebook. Natalie is an incredibly gifted young actress currently studying theatre at the University of Miami. I had the privilege of working with her and she was one of the key ensemble members in the cast of September’s Heroes. This morning, Natalie posted this:
“On September 11th, 2011, I walked off the Bartlett High School stage with tears in my eyes because I was so moved by the story of “September’s Heroes” that I had just shared with the audience. This was the first time I had reacted so viscerally to a piece of theatre. Each year I grieve for the souls we lost in 9/11 — each soul that didn’t get to finish their story. I am proud to be a theatre maker. And proud to be an American.”
Then I found a post by another student in that production that moved me for similar reasons. Ken wrote:
“It’s necessary to remember 9/11 as an important part of our history. To readily mourn the innocent lives lost that day and the graphic images captured of the tower collapsing.
However, its just as important to acknowledge the level of Islamaphobia that followed 9/11 that continues to haunt muslim folks, south asian folks, and everyone ‘mistaken’ as such still today .
Both the pain of those that lost loved ones on 9/11 as well as the families that continue to feel endangered today matter.
Acknowledging the former without recognizing the latter is being downright selective of the kind “American” history you want to remember.”
In September’s Heroes, Ken had a monologue we referred to as “Hate” calling attention to the rise in fear and open racism that was a by-product of the 9/11 attacks. Now, Ken is becoming a voice– an activist; speaking out for minority rights. He current studies African & African American Studies at the University of Minnesota.
The third Facebook post by Charlie, a teacher-friend that I know from past theatrical productions wrote:
“9-11 isn’t even a memory to those I now teach. It is something they (may) have heard about…wow. As Ferris said, life moves pretty fast.”
Three different people. Three different posts. All three, unknowingly giving me a kick in the butt to do something I’ve put off for too long. Publishing September’s Heroes.
How Today Was Supposed To Happen. In June 2014, I started the process of securing space from the City of Elgin to produce a season of five shows, two weeks each at the Elgin Art Showcase. September’s Heroes was to be one of those shows. It should have– it would have been on stage tonight if it hadn’t been for the irresponsible actions of a city employee.
From the time I began the process, I dealt with three different people responsible for booking the space. The first left (who kept putting me off, delaying the process), the second was filling in (and tried valiantly to be accommodating with my requests) and then there was the third: the newly hired coordinator for the space. She flat out told me I couldn’t have the dates because she wanted them, even though they had already been promised to me.
I need to back up and say that I had also applied for this coordinator position. I had more than enough qualifications and experience, I’m an Elgin resident but I didn’t even get an interview. I was later told (by an insider) that the person they hired had already been tapped for the job, before the opening had even been posted. On top if that, she doesn’t live in Elgin (city officials claim to favor residents first) and she already holds a conflicting position, managing another space downtown. Strangely, her space is constantly active, while the Art Space sits empty.
Of the ten weeks I wanted, there has only been one, two-hour event in the space during the entire list of dates I had requested. It was nearly the end of last October before I was given contractual dates. At this point, it was already too late to successfully publicize the first two shows. I planned to release all but the last two bookings but when I discussed this (through email) with the new coordinator, she told me I couldn’t have the September dates, she was using them for her event. So I cancelled them all.
It turns out, IF they are using the space, it’s not on the city calendar AND the event (which is happening) isn’t until next week. My production of September’s Heroes could have gone on. At no point was I ever contacted and told that I could, in fact, have those original dates I had requested.
Yes, I’m bitter about this. I’m bitter about not being given consideration for the job and more so for having dates I had been given– in writing, taken away from me and then not used. The city pays a lot of money to subsidize this space and due to poor management– it sits empty. Yet another example of Elgin’s waste of taxpayer’s money.
Moving On and Being Inspired. So September’s Heroes is not on stage tonight but that’s not the end of it. Thanks to the inspiration of friends, I’m working on a new edit of my script to publish. Hopefully it will see productions for next year’s fifteenth anniversary.
Theatre moves, educates and inspires people. There is a whole new generation of children in school that weren’t even born when the terrorists attacked. They need to know the story. They need to hear about the heroes and the innocent people that lost their lives that day.
One Last Story. I want to end with this. I may have shared it before but if I have, it bares repeating. One of the people that ‘liked’ one of the Facebook posts this morning, is the mother of another one of the young actors that was in September’s Heroes in 2011. I didn’t really know him very well (at the time) besides the fact that he was talented and very polite. During the rehearsals, I got the feeling he was having a little trouble connecting to the material.
In January 2013, I chaperoned a student trip to New York and he was also on the trip. Besides seeing Broadway shows, we toured a little bit of the city and visited the National September 11th Memorial. We stood at the two pools that form the footprint of where the World Trade Center once towered over lower Manhattan. It was there that I saw this strong young man, emotional, as it all became real for him. It was a touching moment. An important moment that I’ll never forget.
It reminds me constantly of the power of theatre… the importance of history… and the necessity of telling and retelling the story.
It’s our duty to share, remember and #neverforget.
How Do You Measure 525600 Minutes? 
I was home that day in 2001 and turned on the TV shortly after the first plane hit. It will take some form of dementia to remove that memory. I hope I get to see your play next year.
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